SOLD OUT FOR 2017 and JANUARY 2018. WE ARE NOW TAKING STUDENTS FOR MAY 2018.
Hello everyone! I’m going to teach a new creative writing class online called Contemporary Dark Fiction. It’ll be SIXTEEN WEEKS long (I know!) essentially the same length as your average semester.
This is the class I’ve always wanted to teach, taking the best aspects of the classes that I’VE TAKEN online, as well as my MFA, and focusing on books that I love (and think are important) as well as stories I’ve curated. Class sizes are going to be small (a maximum of eight students). Here is a little more information, but if you’d like to sign up, or ask for a syllabus, please drop me a note at email@example.com.
Each week, you will read one column that I’ve written at LitReactor.com, and we will talk about how to apply that to your own writing. You will also have at least one short story to read each week, which will relate to that week’s column. You will then have a writing assignment for that week that utilizes what you’ve learned from the column and story—anywhere from 200-1,000 words. In addition to that, you will have a section of a novel to read. You will read four books in four months, so that means a book a month. There will also be a weekly Skype call (1.5 hours), where we will talk about that week’s short story, the column and subject, as well as the novel section that you have read. We will have additional ongoing questions and conversations at Facebook (in a private, secret group). At the end of the month, you will turn in an original short story based on whatever inspired you over the course of our studies, up to 4,000 words. I will read, edit, and critique each story, and return it to you with advice on what to do next (keep editing, drop it, polish it up, send it out). At the end of the semester you will get one hour of private Skype time with me to talk about anything you like—your work in class, other projects, the industry in general, markets, query letters, how to get an agent, what to do next, etc.
The New Black (Dark House Press) edited by Richard Thomas (signed, included)
Exigencies (Dark House Press) edited by Richard Thomas (signed, included)
After the People Lights Have Gone Off by Stephen Graham Jones (PDF, included)
The Lineup: 20 Provocative Women Writers (PDF, included)
Perdido Street Station by China Mieville $15.12 710 pages 978-0345443021
Annihilation by Jeff VanderMeer $8.12 208 pages 978-0374104092
All the Beautiful Sinners by Stephen Graham Jones $23.95 352 pages 978-1590710081
Bird Box by Josh Malerman $22.15 272 pages 978-0062259653
WHO IS THIS CLASS FOR:
- Advanced students who are looking to take their writing to the next level, as well as beginners who have no fear, and an open mind.
- Authors who write genre fiction and are looking to make their work more literary.
- Literary authors who are looking to add some genre, or supernatural aspects, to their realism.
- Anyone looking to expand their understanding of contemporary dark fiction.
- Authors that are looking to publish in the top magazines, websites, and anthologies.
- Writers who have the time and discipline to read and write every week for the next sixteen weeks.
- Authors who enjoy my writing, and/or the work I’ve published at Dark House Press, and/or the four anthologies I’ve edited.
(There will be some minor overlap with previous classes I’ve taught, but we will get into the novels and anthologies in much greater detail.)
“What is ‘Contemporary Dark Fiction?’ It can mean everything from noir to new weird, slipstream, horror and more. In 16 weeks, Richard Thomas takes you through stories about the absurd and grotesque, the horrific and unexpected. You will write over 50,000 words and you will test the boundaries of your own writing voice. It’s an honest-to-god thrill ride and you will enjoy the trip.”—Richard W.
“Yes, the short story reading list is fantastic and enlightening. Yes, the weekly columns will teach you or remind you of incredibly useful aspects of storytelling and technique. And yes, the novels are great, too, and ones you really ought to read. But the most valuable and important part of this class is how much Richard cares. He cares that you become a better writer, he cares that you are exposed to writing that makes you think, and he cares that you pursue and level up when it comes to your passion. There is no dollar amount you can put on that amount of caring, and its impact will last you far beyond this class.” —Becca J.
“One of Richard’s strengths is his commitment to diversity. He offers a safe, honest place to explore the art, and expand your talent no matter where you’re coming from, or your level of expertise. He’s knowledgeable, and approachable. I’d recommend his classes to anyone seeking to learn more about writing, or the genre of contemporary dark fiction.”—Shaw C.
“This class really helped me push my limits and learn new ways of writing and approaching different areas of my craft, while helping me to define my focus. The columns inspired me to write better. The content of your courses is fabulous and I always learn a lot.”—Erin C.
“I encourage everyone to take Richard Thomas’ Contemporary Dark Fiction Class. For sixteen weeks he leads a small group through a specially curated program of readings followed by Skype lectures and discussions. He will personally read and comment on your weekly and monthly writings. You will leave the class with a new appreciation of contemporary dark fiction.”—Dona F.
$1,200, via Paypal or check. $100 non-refundable deposit is required to hold your spot. If you pay in full at the time of your deposit, take 10% off ($1,080). If you are a returning student (from any class, anywhere) take an additional 10% off ($960). Otherwise, it’s $100 upon registration, and half of the remaining balance due before class starts, and the remaining half due prior to the start of the second month. Paperback copies of The New Black and Exigencies are included with your fees, as well as PDFs of After the People Lights Have Gone Off and The Lineup: 20 Provocative Women Writers) for short story analysis. You are required to purchase the other four novels (or feel free to check them out at your local library) for extended discussion.
January 1 – April 30, 2017 Session One FULL
May 1 – August 31, 2017 Session Two FULL
September 1 – December 31, 2017 Session Three FULL
January 1 – April 30, 2018 FULL
May 1 – August 31, 2018 Session Two OPEN
Drop me a note at firstname.lastname@example.org to register, or if you have any questions. Thanks!