I’m Teaching a New 16-Week Advanced Creative Writing Workshop Class Online!

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WE ARE NOW SIGNING UP FOR THE JANUARY 2018 CLASS.
BOOKS WILL CHANGE in 2018, FYI.
(May and September 2017 are full.)  

Since my last class, Contemporary Dark Fiction, has done so well, I thought I’d launch a second class, an Advanced Creative Writing Workshop. How is this class different? Well, there will be less focus on craft, and teaching you the basics, and more time spent reading and writing. It’s essentially what I did when I got my MFA back in 2012.

What I loved in my MFA was reading contemporary short fiction to see what was going on, what was being published, and what was getting attention. I can’t think of a better way to do that than to read these three anthologies: The Best American Short Stories, The Best Horror of the Year, and The Best American Science Fiction and Fantasy. This is a great way to stay up to date, to research current markets, study with the masters, and find new voices. In my MFA we only focused on literary fiction (BASS), so adding in Best Horror and Best SF&F will really help you to expand your voice and learn from those genres as well. (If we publish a Best of Gamut in 2018, we may swap that out, down the road, for one of these titles.)

With class sizes small, a maximum of eight students, these will probably fill up quickly.

More information below.

OVERVIEW:

Each week, you will read two stories that I have curated from the three aforementioned anthologies, selecting the stories that I think are the most powerful, unique, and with the most to teach us. There will also be a weekly Skype call (2 hours), where we will talk about that week’s short stories, and what the authors did well, how they are innovative, and how you might apply that to your own writing. We will also workshop two of YOUR stories, applying the same level of critical analysis. (Two student stories per week, with each student workshopping a total of FOUR stories, overall.) We will have additional ongoing questions and conversations on Facebook (in a private, secret group). At the end of the month, you will turn in an original short story based on whatever inspired you over the course of our studies, up to 5,000 words. I will read, edit, and critique each story, and return it to you with advice on what to do next (keep editing, drop it, polish it up, send it out). In addition to commenting on each other’s work (workshopping) the stories in Skype, you will also read and give feedback on the other short stories in the class via email (and the Word docs). At the end of the semester you will get one hour of private Skype time with me to talk about anything you like—your work in class, other projects, the industry in general, markets, query letters, how to get an agent, what to do next, etc. (Note: You will have to come to class with ONE short story already written. You will write THREE in class, not turning in a story in the final month.)

WHO IS THIS CLASS FOR:

  1. Advanced students who are looking to take their writing to the next level
  2. Authors who write genre fiction and are looking to make their work more literary
  3. Literary authors who are looking to add some genre, or supernatural aspects, to their realism
  4. Authors who have published several stories already
  5. Authors who don’t need to be taught craft, or the basics of short story writing
  6. Anyone looking to expand their understanding of contemporary fiction
  7. Authors that are looking to publish in the top magazines, websites, and anthologies
  8. Writers who have the time and discipline to read every week, and write a new short story once a month

(This is not a class for beginning students or authors, unless you already have some study and experience. We will not teach the basics, but will already assume you understand that, and are looking to study contemporary masters, apply it to your own work, and then create new material on a monthly basis.)

COST/FINANCING:

$800, via Paypal to wickerkat@aol.com. $100 non-refundable deposit is required to hold your spot. If you are a returning student (from ANY of my classes, anywhere) take 10% off. If you pay in FULL at the time of deposit, take an additional 10% off. Otherwise, it’s $100 upon registration, $350 before class starts, and the balance of $350 due prior to the start of the second month. You are required to purchase the three anthologies (or feel free to check them out at your local library) for extended discussion. (Additional payment options are available, if needed.)

Returning student + paid in full: $640 ($40 a week)
Returning student, not paid in full: $720 ($100 down + $310/$310; $45 a week)
Paid in full, not returning student: $720 ($45 a week)
Not returning student, not paid in full: $800 ($100 down + $350/$350; $50 a week)

Drop me a note at richardgamut@gmail.com to register, to request a full syllabus, or if you have any questions.

Thanks,
Richard

I’m Teaching a New Online Creative Writing Class, 16 Weeks Long, About Contemporary Dark Fiction

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SOLD OUT FOR 2017 and JANUARY 2018. WE ARE NOW TAKING STUDENTS FOR MAY 2018.

Hello everyone! I’m going to teach a new creative writing class online called Contemporary Dark Fiction. It’ll be SIXTEEN WEEKS long (I know!) essentially the same length as your average semester.

This is the class I’ve always wanted to teach, taking the best aspects of the classes that I’VE TAKEN online, as well as my MFA, and focusing on books that I love (and think are important) as well as stories I’ve curated. Class sizes are going to be small (a maximum of eight students). Here is a little more information, but if you’d like to sign up, or ask for a syllabus, please drop me a note at richardgamut@gmail.com.

OVERVIEW:

Each week, you will read one column that I’ve written at LitReactor.com, and we will talk about how to apply that to your own writing. You will also have at least one short story to read each week, which will relate to that week’s column. You will then have a writing assignment for that week that utilizes what you’ve learned from the column and story—anywhere from 200-1,000 words. In addition to that, you will have a section of a novel to read. You will read four books in four months, so that means a book a month. There will also be a weekly Skype call (1.5 hours), where we will talk about that week’s short story, the column and subject, as well as the novel section that you have read. We will have additional ongoing questions and conversations at Facebook (in a private, secret group). At the end of the month, you will turn in an original short story based on whatever inspired you over the course of our studies, up to 4,000 words. I will read, edit, and critique each story, and return it to you with advice on what to do next (keep editing, drop it, polish it up, send it out). At the end of the semester you will get one hour of private Skype time with me to talk about anything you like—your work in class, other projects, the industry in general, markets, query letters, how to get an agent, what to do next, etc.

BOOKS: (required)

The New Black (Dark House Press) edited by Richard Thomas (signed, included)
Exigencies (Dark House Press) edited by Richard Thomas (signed, included)
After the People Lights Have Gone Off by Stephen Graham Jones (PDF, included)
The Lineup: 20 Provocative Women Writers (PDF, included)

Perdido Street Station by China Mieville $15.12 710 pages 978-0345443021
Annihilation by Jeff VanderMeer $8.12 208 pages 978-0374104092
All the Beautiful Sinners by Stephen Graham Jones $23.95 352 pages 978-1590710081
Bird Box by Josh Malerman $22.15 272 pages 978-0062259653

WHO IS THIS CLASS FOR:

  1. Advanced students who are looking to take their writing to the next level, as well as beginners who have no fear, and an open mind.
  2. Authors who write genre fiction and are looking to make their work more literary.
  3. Literary authors who are looking to add some genre, or supernatural aspects, to their realism.
  4. Anyone looking to expand their understanding of contemporary dark fiction.
  5. Authors that are looking to publish in the top magazines, websites, and anthologies.
  6. Writers who have the time and discipline to read and write every week for the next sixteen weeks.
  7. Authors who enjoy my writing, and/or the work I’ve published at Dark House Press, and/or the four anthologies I’ve edited.

(There will be some minor overlap with previous classes I’ve taught, but we will get into the novels and anthologies in much greater detail.)

TESTIMONIALS

“What is ‘Contemporary Dark Fiction?’ It can mean everything from noir to new weird, slipstream, horror and more. In 16 weeks, Richard Thomas takes you through stories about the absurd and grotesque, the horrific and unexpected. You will write over 50,000 words and you will test the boundaries of your own writing voice. It’s an honest-to-god thrill ride and you will enjoy the trip.”—Richard W.

“Yes, the short story reading list is fantastic and enlightening. Yes, the weekly columns will teach you or remind you of incredibly useful aspects of storytelling and technique. And yes, the novels are great, too, and ones you really ought to read. But the most valuable and important part of this class is how much Richard cares. He cares that you become a better writer, he cares that you are exposed to writing that makes you think, and he cares that you pursue and level up when it comes to your passion. There is no dollar amount you can put on that amount of caring, and its impact will last you far beyond this class.” —Becca J.

“One of Richard’s strengths is his commitment to diversity. He offers a safe, honest place to explore the art, and expand your talent no matter where you’re coming from, or your level of expertise. He’s knowledgeable, and approachable. I’d recommend his classes to anyone seeking to learn more about writing, or the genre of contemporary dark fiction.”—Shaw C.

“This class really helped me push my limits and learn new ways of writing and approaching different areas of my craft, while helping me to define my focus. The columns inspired me to write better. The content of your courses is fabulous and I always learn a lot.”—Erin C.

“I encourage everyone to take Richard Thomas’ Contemporary Dark Fiction Class. For sixteen weeks he leads a small group through a specially curated program of readings followed by Skype lectures and discussions. He will personally read and comment on your weekly and monthly writings. You will leave the class with a new appreciation of contemporary dark fiction.”—Dona F.

COST/FINANCING:

$1,200, via Paypal or check. $100 non-refundable deposit is required to hold your spot. If you pay in full at the time of your deposit, take 10% off ($1,080). If you are a returning student (from any class, anywhere) take an additional 10% off ($960). Otherwise, it’s $100 upon registration, and half of the remaining balance due before class starts, and the remaining half due prior to the start of the second month. Paperback copies of The New Black and Exigencies are included with your fees, as well as PDFs of After the People Lights Have Gone Off and The Lineup: 20 Provocative Women Writers) for short story analysis. You are required to purchase the other four novels (or feel free to check them out at your local library) for extended discussion.

SESSIONS:

January 1 – April 30, 2017 Session One FULL
May 1 – August 31, 2017 Session Two FULL
September 1 – December 31, 2017 Session Three FULL
January 1 – April 30, 2018 FULL
May 1 – August 31, 2018 Session Two OPEN

Drop me a note at richardgamut@gmail.com to register, or if you have any questions. Thanks!

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I’m Teaching Sci-Fi, Fantasy, Horror & Beyond—ONLINE

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I’m teaching a six-week class, Sci-Fi, Fantasy, Horror & Beyond, over at Story Studio Chicago (online) this October. Come join the fun. Here’s more information:

Description of Class

If you love the incredible, futuristic, supernatural, and fantastical—this is the class for you.

Whether you’re working on a project or just starting out, this six-week online course is perfect for writers who want to explore science fiction, fantasy, horror, and related sub-genres such as magical realism, new weird, and surrealism. We’ll discuss the conventions of these genres and explore the boundaries between them—and what happens when you cross them.

Students will explore craft elements such as character and setting, and how they operate in stories that challenge the imagination. You’ll practice creating alternate realities that may have a hint of magic, explore a dystopia or utopia, or even build an entirely new world.

We’ll read and study classic and contemporary examples by authors in various genres to learn what works, and explore the publishing world of speculative markets such as Cemetery Dance, Tor.com, Nightmare, Shimmer, F&SF, and Clarkesworld.

The class is perfect for writers who are curious about these genres, or writers who are already familiar with them and want to stretch the boundaries of their stories. Students will leave the class with new story starts and scenes, and share their work for feedback from the instructor and fellow writers.

What to Expect

Students can expect to spend two to three hours per week writing and interacting with classmates and the instructor. New lessons become available each Tuesday but can be completed anytime during the week.

This work will be supported by:

  • a weekly video from the instructor introducing the topic
  • an interactive lesson, moderated by the instructor
  • new exercises and materials available every week
  • full participation from every student to give and get feedback
  • email for one-to-one interaction with the instructor

Students will begin the week with a lesson containing reading and discussion materials, along with specific exercises to reinforce craft elements. No long lectures or text. Just the important points and fun, imaginative exercises.

During the week, students will post their work and comment on the work of the other participants. The instructor will also provide feedback on the exercises.

The only requirement is a reliable internet connection!

Back from UC-Riverside. What a blast.

So I just got back from being a visiting author at UC-Riverside, which is held at a fantastic resort in Palm Springs.

Tod Goldberg runs this program, and he does a great job with this low-res MFA—supporting his teachers, understanding his students, and being contemporary and current with his approach to fiction. He also made me laugh a lot, the guy is hilarious—I can’t remember having so much fun at an MFA program before. His program is very open to genre fiction, as well as literary fiction, and it was refreshing in so many ways. My lecture was about dark fiction, and how I feel we’re in a bit of a golden age for tragic storytelling. I was very happy to see a lot of nodding heads at my talk, the students well-read, getting all of my references, eager to read more, and apply their own voice to various genres.

I also had a great time hanging with my old friend Stephen Graham Jones. If you aren’t reading him, you are really missing out of one of the most interesting, innovative and powerful voices in fiction today. I’ve known Stephen for about nine years. I’ve taken classes he has taught, he blurbed my first book, I published a story of his in The New Black, as well as his latest collection, After the People Lights Have Gone Off (Dark House Press) which was nominated for both a Bram Stoker and Shirley Jackson Award, and he has written the introduction to my next short story collection, Tribulations, out in 2016. It’s funny to see how much we have in common, from our youth, to our influences, to our processes. Also, I figure if I just sit next to him often enough, I should evolve through osmosis alone.

I also got to see a lot of old friends such as Jason Metz (published a story of his in Exigencies), Xach Fromson, Gina Frangello, and Rob Roberge, which was great, and meet other authors I really enjoy, such as David Ulin and Tara Ison.

If you are looking for a contemporary low-res MFA program that is open-minded, innovative, and a lot of fun, apply—this is a unique place, that is doing amazing work. I hope to return soon.