Art Reveal for “Hiraeth” in Behold! Oddities, Curiosities and Undefinable Wonders.

Art reveal! Luke Spooner interprets my story “Hiraeth,” a tale about the wondrous power of the stories we tell ourselves. Love this interior art, such emotion and symbolism, which, when you read the story you’ll totally understand. Always a huge fan of Luke’s work.

Fun fact: The word “hiraeth” is defined as a yearning or nostalgia for a home to which we can never return…a home that, perhaps, never was.

Behold! Oddities, Curiosities and Undefinable Wonders publishes July 28 and features Clive Barker, Neil Gaiman, Ramsey Campbell, Lisa Morton, Brian Kirk, Hal Bodner, Stephanie M. Wytovich, John Langan, Erinn Kemper, John F.D. Taff, Patrick Freivald, Lucy A. Snyder, Brian Hodge, Kristi DeMeester, Christopher Coake, Sarah Read and me!. Foreword by Josh Malerman. Illustrations by Luke Spooner. Cover art by John Coulthart.

My Story, “Hiraeth” will be in BEHOLD! Oddities, Curiosities, and Undefinable Wonders

I’m thrilled to announce that I’ll be a part of Behold: Oddities, Curiosities, and Undefinable Wonders. My story “Hiraeth,” will be in this exciting anthology (I’ve seen the full TOC). It’s a story about pain, hope, suffering, and the stories we tell ourselves, the layers of reality that exist around us. Hope you dig it. I’ll be joining a growing table of contents that so far includes Clive Barker, Ramsey Campbell, Lucy A. Snyder, John F.D. Taff, Brian Kirk, Patrick Freivald, Kristi DeMeester and Erinn Kemper. Josh Malerman will write the foreword. More to come! Stoked. Thanks, Doug Murano and Joe Mynhardt for your continued support. Crystal Lake Publishing continues to do great work. (FYI: Hiraeth is defined as “a feeling of nostalgia or longing for a place you’ve never been, or which may never have existed.)

I’m Teaching a New Online Creative Writing Class, 16 Weeks Long, About Contemporary Dark Fiction

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SOLD OUT FOR 2017 and JANUARY 2018. WE ARE NOW TAKING STUDENTS FOR MAY 2018.

Hello everyone! I’m going to teach a new creative writing class online called Contemporary Dark Fiction. It’ll be SIXTEEN WEEKS long (I know!) essentially the same length as your average semester.

This is the class I’ve always wanted to teach, taking the best aspects of the classes that I’VE TAKEN online, as well as my MFA, and focusing on books that I love (and think are important) as well as stories I’ve curated. Class sizes are going to be small (a maximum of eight students). Here is a little more information, but if you’d like to sign up, or ask for a syllabus, please drop me a note at richardgamut@gmail.com.

OVERVIEW:

Each week, you will read one column that I’ve written at LitReactor.com, and we will talk about how to apply that to your own writing. You will also have at least one short story to read each week, which will relate to that week’s column. You will then have a writing assignment for that week that utilizes what you’ve learned from the column and story—anywhere from 200-1,000 words. In addition to that, you will have a section of a novel to read. You will read four books in four months, so that means a book a month. There will also be a weekly Skype call (1.5 hours), where we will talk about that week’s short story, the column and subject, as well as the novel section that you have read. We will have additional ongoing questions and conversations at Facebook (in a private, secret group). At the end of the month, you will turn in an original short story based on whatever inspired you over the course of our studies, up to 4,000 words. I will read, edit, and critique each story, and return it to you with advice on what to do next (keep editing, drop it, polish it up, send it out). At the end of the semester you will get one hour of private Skype time with me to talk about anything you like—your work in class, other projects, the industry in general, markets, query letters, how to get an agent, what to do next, etc.

BOOKS: (required)

The New Black (Dark House Press) edited by Richard Thomas (signed, included)
Exigencies (Dark House Press) edited by Richard Thomas (signed, included)
After the People Lights Have Gone Off by Stephen Graham Jones (PDF, included)
The Lineup: 20 Provocative Women Writers (PDF, included)

Perdido Street Station by China Mieville $15.12 710 pages 978-0345443021
Annihilation by Jeff VanderMeer $8.12 208 pages 978-0374104092
All the Beautiful Sinners by Stephen Graham Jones $23.95 352 pages 978-1590710081
Bird Box by Josh Malerman $22.15 272 pages 978-0062259653

WHO IS THIS CLASS FOR:

  1. Advanced students who are looking to take their writing to the next level, as well as beginners who have no fear, and an open mind.
  2. Authors who write genre fiction and are looking to make their work more literary.
  3. Literary authors who are looking to add some genre, or supernatural aspects, to their realism.
  4. Anyone looking to expand their understanding of contemporary dark fiction.
  5. Authors that are looking to publish in the top magazines, websites, and anthologies.
  6. Writers who have the time and discipline to read and write every week for the next sixteen weeks.
  7. Authors who enjoy my writing, and/or the work I’ve published at Dark House Press, and/or the four anthologies I’ve edited.

(There will be some minor overlap with previous classes I’ve taught, but we will get into the novels and anthologies in much greater detail.)

TESTIMONIALS

“What is ‘Contemporary Dark Fiction?’ It can mean everything from noir to new weird, slipstream, horror and more. In 16 weeks, Richard Thomas takes you through stories about the absurd and grotesque, the horrific and unexpected. You will write over 50,000 words and you will test the boundaries of your own writing voice. It’s an honest-to-god thrill ride and you will enjoy the trip.”—Richard W.

“Yes, the short story reading list is fantastic and enlightening. Yes, the weekly columns will teach you or remind you of incredibly useful aspects of storytelling and technique. And yes, the novels are great, too, and ones you really ought to read. But the most valuable and important part of this class is how much Richard cares. He cares that you become a better writer, he cares that you are exposed to writing that makes you think, and he cares that you pursue and level up when it comes to your passion. There is no dollar amount you can put on that amount of caring, and its impact will last you far beyond this class.” —Becca J.

“One of Richard’s strengths is his commitment to diversity. He offers a safe, honest place to explore the art, and expand your talent no matter where you’re coming from, or your level of expertise. He’s knowledgeable, and approachable. I’d recommend his classes to anyone seeking to learn more about writing, or the genre of contemporary dark fiction.”—Shaw C.

“This class really helped me push my limits and learn new ways of writing and approaching different areas of my craft, while helping me to define my focus. The columns inspired me to write better. The content of your courses is fabulous and I always learn a lot.”—Erin C.

“I encourage everyone to take Richard Thomas’ Contemporary Dark Fiction Class. For sixteen weeks he leads a small group through a specially curated program of readings followed by Skype lectures and discussions. He will personally read and comment on your weekly and monthly writings. You will leave the class with a new appreciation of contemporary dark fiction.”—Dona F.

COST/FINANCING:

$1,200, via Paypal or check. $100 non-refundable deposit is required to hold your spot. If you pay in full at the time of your deposit, take 10% off ($1,080). If you are a returning student (from any class, anywhere) take an additional 10% off ($960). Otherwise, it’s $100 upon registration, and half of the remaining balance due before class starts, and the remaining half due prior to the start of the second month. Paperback copies of The New Black and Exigencies are included with your fees, as well as PDFs of After the People Lights Have Gone Off and The Lineup: 20 Provocative Women Writers) for short story analysis. You are required to purchase the other four novels (or feel free to check them out at your local library) for extended discussion.

SESSIONS:

January 1 – April 30, 2017 Session One FULL
May 1 – August 31, 2017 Session Two FULL
September 1 – December 31, 2017 Session Three FULL
January 1 – April 30, 2018 FULL
May 1 – August 31, 2018 Session Two OPEN

Drop me a note at richardgamut@gmail.com to register, or if you have any questions. Thanks!

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Gutted: Beautiful Horror Stories is OUT!

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Last year I only wrote four short stories, one of which, “Repent,” made it into this amazing anthology, Gutted: Beautiful Horror Stories, edited by Doug Murano and D. Alexander Ward. This is the second anthology I’ve been in with these guys, the first being Shadows Over Main Street. Oh yeah, Clive Barker and Neil Gaiman? Nice.

I’m fascinated by the idea of beautiful horror, the intersection between hope and terror, between vengeance and redemption, between action and consequence. I think this is some of my best work to date, and I hope you’ll pick up a copy. “Repent” is about a father who has done some pretty dark things in his past, and the chance he has to do something right, to protect his son.  Here’s more about the book:

From Bram Stoker Award-nominated publisher, Crystal Lake Publishing, and the editing duo who brought you the best-selling and critically acclaimed small-town Lovecraftian horror anthology Shadows Over Main Street, comes Gutted: Beautiful Horror Stories–a disturbing journey into the beauty that rests inside the very heart of darkness. Awe meets ache. Terror becomes transcendence. Regret gives way to rebirth. Fifteen short stories and one poem span nearly every twisted corner of the horror and dark fiction genres: A woman experiences an emotional reckoning inside a haunted house. A father sees his daughter rescued after a cold case is solved, only to learn the tragic limits of his love. A man awakens a vengeful spirit and learns the terrible price of settling scores. A boy comes of age into awareness of a secret universe of Lovecraftian scale. A young woman confronts the deathly price of existence inside a German concentration camp during the Holocaust. And much, much more… Gutted: Beautiful Horror Stories features the most celebrated voices in dark fiction, as well as a number of exciting new talents: Clive Barker, Neil Gaiman, Ramsey Campbell, Paul Tremblay, John F.D. Taff, Lisa Mannetti, Damien Angelica Walters, Josh Malerman, Christopher Coake, Mercedes M. Yardley, Brian Kirk, Stephanie M. Wytovich, Amanda Gowin, Richard Thomas, Maria Alexander and Kevin Lucia. Edited by Doug Murano and D. Alexander Ward. With a foreword from Cemetery Dance magazine founder Richard Chizmar.

ENJOY!

Interior art reveal for my story, “Repent” in Gutted: Beautiful Horror Stories

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Interior art reveal: Artist Luke Spooner deftly captures the creeping dread and inevitable doom that propel my short story, “Repent.” Luke always manages to find the tension and heart of my work, thrilled that he once again is attached to my writing. He’s amazing, and will be a huge part of Gamut, too.

Description: Awe and ache. Terror and transcendence. Regret and rebirth. Gutted: Beautiful Horror Stories is out in June! Featuring an all-star lineup including Ramsey Campbell, Clive Barker, Neil Gaiman, Paul Tremblay, John F.D. Taff, Lisa Mannetti, Damien Angelica Walters, Christopher Coake, Josh Malerman, Mercedes M. Yardley, Brian Kirk, Amanda Gowin, Richard Thomas, Maria Alexander, Stephanie M. Wytovich and Kevin Lucia. With a foreword by Cemetery Dance magazine founder Richard Chizmar.

Release Day for Chiral Mad 3

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So, wow, this has been a long time coming. I’m a big fan of the work that Michael Bailey has been doing at Written Backwards (now a Dark Regions Press imprint). I was in Chiral Mad 2, and Qualia Nous, and if I can keep up with him, I hope to publish more stories with him in the future. I’m not only really impressed with the cover art, and interior illustrations by Glenn Chadbourne (see below), but by the extensive table of contents. My story, “The Offering on the Hill” (illustrated below, with the NORTH sign) is included in this wonderful anthology—over 6,000-words long, one of the longest stories I’ve ever written, and hopefully one of my best. In many ways this story is a bit of an homage to Stephen King and The Dark Tower series. I hope you’ll pick up your copy of Chiral Mad 3 today. I’m think it could be one of the best anthologies published this year. (NOTE: Don’t miss out on the $150 signed/limited edition. Everybody but King is going to sign it!) Introduction by Chuck Palahniuk, too!

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Fiction:
01. The Poetry of Life – Richard Chizmar
02. The Last Rung on the Ladder – Stephen King
03. A Rift in Reflection – Hal Bodner
04. Windows, Mirrors, Doors – Jason V Brock
05. Prayer – Mort Castle
06. The Agonizing Guilt of Relief – Paul Michael Anderson
07. The Black Crow of Boddinstraße – Emily B. Cataneo
08. A Flash of Red – Erinn L. Kemper
09. Red Runner vs. The Surgeon, Issue 18 – Jessica May Lin
10. The Dead Collection – Mercedes M. Yardley
11. Watch Me – Meghan Arcuri
12. The Bigger Bedroom – Josh Malerman
13. That Perilous Stuff – Scott Edelman
14. Know Your Code – Ramsey Campbell
15. 3-Dot People – Gene O’Neill
16. Silver Thread, Hammer Ring – Gary A. Braunbeck
17. Those Who Watch From on High – Eric J. Guignard
18. Blood Dust – Max Booth III
19. The Offering on the Hill – Richard Thomas
20. The Whipping Girls – Damien Angelica Walters
21. Seconds – Jack Ketchum

Poetry:
01. Fair – P. Gardner Goldsmith
02. Fail-Safe – Jonathan Balog
03. Folie à Deux – Sydney Leigh
04. Reflecting on Reflections – Bruce Boston
05. Mirror Image – Marge Simon
06. Black River #1 – Elizabeth Massie
07. Prescience – Rose Blackthorn
08. The Speed of Sound – Ciarán Parkes
09. Welcome Home, Darling – Stephanie M. Wytovich
10. Whisper #1 (A Warning) – Erik T. Johnson
11. Whisper #2 (A Prophecy) – Erik T. Johnson
12. Put Me to Dream -Stephanie M. Wytovich
13. Recognizing Trees – Ciarán Parkes
14. Arbitration – Rose Blackthorn
15. Black River #2 – Elizabeth Massie
16. Reflections Through the Raven’s Eye – Marge Simon
17. Beyond Symmetry – Bruce Boston
18. Folie à Plusieurs – Sydney Leigh
19. Insomnia in Reverse – Jonathan Balog
20. Promise – P. Gardner Goldsmith

Gamut Magazine: What’s This Website All About?

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“Now that short fiction has become as standardized as the SATs and Common Core—all in order to ‘judge’ and ‘rank’ writers—I’m excited to see what Richard Thomas brings to the game. Gamut will be the new magazine not written for the little old lady in Dubuque.”
—Chuck Palahniuk, author of Fight Club

Gamut will be cool, and it will be out there, right on the edges of fiction. I can’t wait.”
—Irvine Welsh, author of Trainspotting

“As publishing venues grow ever more polarized—niche market over here,
stadium rock over there—the need for passionate, thoughtful, unafraid publishing
space is crucial. Enter Gamut.”
—Marcus Sakey, author of Brilliance

“I beg to differ with Mr. Palahniuk: There’s a fabulous indie bookstore in Dubuque, and little old ladies have been known to write some astonishing speculative fiction. Some of it might even end up in this magazine, which promises to bring together the fresh and the dark and the extraordinary. Look for great, weird things from [Gamut].”
—Rebecca Makkai, author of The Hundred-Year House

“A killer lineup of creators.”
—Rose O’Keefe, Publisher, Eraserhead Press

“The heavyweight talent behind Gamut is a promise of great things to come.”
—K. Allen Wood, Publisher, Shock Totem Publications

“It doesn’t matter if a writer has a big name, a pen name, or no name, if they’re writing excellent and edgy fiction, Richard Thomas has probably read their work. But Richard’s a busy guy—seriously, read his bio—and doesn’t have time to meet for coffee or martinis or bowling anytime someone wants to talk about what they should be reading next. Thankfully, now there is Gamut, which is sure to become an index of some of the best fiction writers working today.”
—Diane Goettel, Executive Editor, Black Lawrence Press

GAMUT (Updated 1/29/2016)

So what’s all of this talk about Gamut? For a long time I’ve wanted to start a magazine. I crunched the numbers for years, but in the end couldn’t make it work. Why? PRINT COSTS. So, over the past year I’ve been looking at it again, and decided the way to go would be to Kickstart it, and have it exist online. I hope to do the Kickstarter in February of 2016, and launch the website on 1/1/2017, if we are successful. For the past several months I’ve been getting things lined up—authors, website, costs, content, the Kickstarter page, etc. We will offer subscriptions via the special Kickstarter for $25-30, with the regular annual price being $50-60. That’s only $5 a month, at the most expensive price point. (Gamut just means a wide range, and it’s usually applied to emotions, but here, it refers to fiction, and more specifically, dark fiction.)

CONTENT

It will include mostly fiction (some original, some reprints) but also columns, non-fiction, art, and maybe even a serial memoir or novella. I have a word count per month in mind, based on my budget, and I’m looking to release new content several times a week. I will start off by publishing work via solicitations and will then open it up to submissions. We will pay 10 cents per word for original fiction, and 3 cents per word for reprints.

GENRES

Well, if you’ve read any of the anthologies I’ve edited (The New Black, Burnt Tongues, The Lineup: 20 Provocative Women Writers, or Exigencies) then you know what my aesthetic is, for sure. Also, you can see the work (and authors) I’ve published at Dark House Press. And of course, my own writing (and YES, I will be publishing some of my own work at Gamut as well, new and reprint). So I’m open to fantasy, science fiction, horror, neo-noir, crime, magical realism, transgressive, Southern gothic, and literary—anything done with innovation, heart and emotion. Everything I enjoy reading and writing typically leans toward the dark side, but I have been known to embrace lighter work, and humor, now and then. It just has to MOVE me. And I like to be surprised.

AUTHORS

To date, here are the people that have given me a verbal commitment to publish original and/or reprint fiction at Gamut: Stephen Graham Jones, Laird Barron, Brian Evenson, Usman T. Malik, Matt Bell, Damien Angelica Walters, Letitia Trent, Mercedes M. Yardley, Alyssa Wong, Benjamin Percy, Lindsay Hunter, Axel Taiari, Amanda Gowin, Laura Benedict, Nathan Ballingrud, Dino Parenti, Ted E. Grau, Rebecca Jones-Howe, Sarah Read, Paula Bomer, Kelly Luce, Livia Llewellyn, Josh Malerman, Carmen Machado, Peter Tieryas, Kevin Catalano, Paul Tremblay, John Langan, Nina McConigley, Nik Korpon, Craig Wallwork, Steve Himmer, Antonia Crane, Steve Rasnic Tem, Kristi DeMeester, Tara Ison, David James Keaton, Cassandra Khaw, Nikki Guerlain, Lucy A. Snyder, JS Breukelaar, Helen Marshall, Amelia Gray, H. L. Nelson, Craig Davidson, Jacklyn Dre Marceau, and Lincoln Michel. Poets will include Jeffrey Skinner, Nickole Brown, Cate Marvin, Paul Guest, Blas Falconer, Carrie Jerrell, Gary Jackson, Erica Dawson, Laura Van Prooyen, Simone Muench, Charles Jensen, Ace Boggess, and Jeannine Hall Gailey.

ART

I’ve asked the following artists to be a part of Gamut: Luke Spooner, George C. Cotronis, Daniele Serra, and Bob Crum, as well as photographer Jennifer Moore.

COLUMNISTS

As of right now, I’m excited to have non-fiction, reviews and commentary from Keith Rawson, Max Booth, and RK Arceneaux.

POETRY

Even though poetry is not my strength, I want there to be a place for it at Gamut, so I’m putting Heather Foster (one of my favorite poets) in charge. She’ll be assisted by Whittney Jones.

STAFF

Speaking of which, Dino Parenti, Mercedes M. Yardley, and Casey Frechette are going to be my fiction editors, and first readers. They all understand my aesthetic and are excellent writers as well. They’re really going to help shape the voice and look of Gamut.

IN CONCLUSION

I’m sure this doesn’t answer all of your questions, some things are still being ironed out, but I’m very excited to see if we can make this work. I love Tor, as well as Nightmare, Shimmer, Apex, Clarkesworld, Black Static, Shock Totem, Cemetery Dance and so many other publications. I hope that Gamut can become a part of the landscape and continue to provide opportunities for authors to share their work, get paid a decent rate, and maybe even get discovered. There is no shortage of talent out there, I can tell you that much. Thanks for reading, and wish us luck! I hope you’ll be a part of this.