Art Reveal for “Hiraeth” in Behold! Oddities, Curiosities and Undefinable Wonders.

Art reveal! Luke Spooner interprets my story “Hiraeth,” a tale about the wondrous power of the stories we tell ourselves. Love this interior art, such emotion and symbolism, which, when you read the story you’ll totally understand. Always a huge fan of Luke’s work.

Fun fact: The word “hiraeth” is defined as a yearning or nostalgia for a home to which we can never return…a home that, perhaps, never was.

Behold! Oddities, Curiosities and Undefinable Wonders publishes July 28 and features Clive Barker, Neil Gaiman, Ramsey Campbell, Lisa Morton, Brian Kirk, Hal Bodner, Stephanie M. Wytovich, John Langan, Erinn Kemper, John F.D. Taff, Patrick Freivald, Lucy A. Snyder, Brian Hodge, Kristi DeMeester, Christopher Coake, Sarah Read and me!. Foreword by Josh Malerman. Illustrations by Luke Spooner. Cover art by John Coulthart.

“Battle Not with Monsters” accepted by Cemetery Dance

Big news! Thrilled to announce that my short story, “Battle Not with Monsters” has been accepted by Cemetery Dance magazine, and will be out with them in 2018. This will be my second story in the magazine (I was in Issue #72 alongside Stephen King last year), my third with them in general (“Stillness” in Shivers VI my first), and fourth acceptance overall (my collection Tribulations was released in eBook with CD last year). Huge fan of the work they’re doing, and it’s an honor to publish with them again. Thank you Richard Chizmar, Blu Gilliand, Norman Prentiss, and Brian Freeman for your continued support. Means a lot.

StokerCon 2017!

Here is my schedule for StokerCon:

FRIDAY—Mini Mass Signing 10-11 AM; Shades & Shadows 8-10PM (attending)

SATURDAY—Panel: Publishing, Kickstarters, Gamut and Expanding Horror (with Mercedes and Dino); Pitch Panel 2-3; Pitch Session 3-5; Stoker Awards 7-10 PM. And I’m sure a lot of other social events.

See you there!

Day of Reckoning Class at Gamut

How exciting! Gamut is offering up our first class, Day of Reckoning. One intense day with eight talented authors and teachers, plus feedback on up to eight different stories. All for only $350. Click on over and check it out, the classes will be small, up to eight students. This should be a lot of fun. Honored to work with each and every one of these authors.

I’m Teaching a New 16-Week Advanced Creative Writing Workshop Class Online!

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WE ARE NOW SIGNING UP FOR THE JANUARY 2018 CLASS.
BOOKS WILL CHANGE in 2018, FYI.
(May and September 2017 are full.)  

Since my last class, Contemporary Dark Fiction, has done so well, I thought I’d launch a second class, an Advanced Creative Writing Workshop. How is this class different? Well, there will be less focus on craft, and teaching you the basics, and more time spent reading and writing. It’s essentially what I did when I got my MFA back in 2012.

What I loved in my MFA was reading contemporary short fiction to see what was going on, what was being published, and what was getting attention. I can’t think of a better way to do that than to read these three anthologies: The Best American Short Stories, The Best Horror of the Year, and The Best American Science Fiction and Fantasy. This is a great way to stay up to date, to research current markets, study with the masters, and find new voices. In my MFA we only focused on literary fiction (BASS), so adding in Best Horror and Best SF&F will really help you to expand your voice and learn from those genres as well. (If we publish a Best of Gamut in 2018, we may swap that out, down the road, for one of these titles.)

With class sizes small, a maximum of eight students, these will probably fill up quickly.

More information below.

OVERVIEW:

Each week, you will read two stories that I have curated from the three aforementioned anthologies, selecting the stories that I think are the most powerful, unique, and with the most to teach us. There will also be a weekly Skype call (2 hours), where we will talk about that week’s short stories, and what the authors did well, how they are innovative, and how you might apply that to your own writing. We will also workshop two of YOUR stories, applying the same level of critical analysis. (Two student stories per week, with each student workshopping a total of FOUR stories, overall.) We will have additional ongoing questions and conversations on Facebook (in a private, secret group). At the end of the month, you will turn in an original short story based on whatever inspired you over the course of our studies, up to 5,000 words. I will read, edit, and critique each story, and return it to you with advice on what to do next (keep editing, drop it, polish it up, send it out). In addition to commenting on each other’s work (workshopping) the stories in Skype, you will also read and give feedback on the other short stories in the class via email (and the Word docs). At the end of the semester you will get one hour of private Skype time with me to talk about anything you like—your work in class, other projects, the industry in general, markets, query letters, how to get an agent, what to do next, etc. (Note: You will have to come to class with ONE short story already written. You will write THREE in class, not turning in a story in the final month.)

WHO IS THIS CLASS FOR:

  1. Advanced students who are looking to take their writing to the next level
  2. Authors who write genre fiction and are looking to make their work more literary
  3. Literary authors who are looking to add some genre, or supernatural aspects, to their realism
  4. Authors who have published several stories already
  5. Authors who don’t need to be taught craft, or the basics of short story writing
  6. Anyone looking to expand their understanding of contemporary fiction
  7. Authors that are looking to publish in the top magazines, websites, and anthologies
  8. Writers who have the time and discipline to read every week, and write a new short story once a month

(This is not a class for beginning students or authors, unless you already have some study and experience. We will not teach the basics, but will already assume you understand that, and are looking to study contemporary masters, apply it to your own work, and then create new material on a monthly basis.)

COST/FINANCING:

$800, via Paypal to wickerkat@aol.com. $100 non-refundable deposit is required to hold your spot. If you are a returning student (from ANY of my classes, anywhere) take 10% off. If you pay in FULL at the time of deposit, take an additional 10% off. Otherwise, it’s $100 upon registration, $350 before class starts, and the balance of $350 due prior to the start of the second month. You are required to purchase the three anthologies (or feel free to check them out at your local library) for extended discussion. (Additional payment options are available, if needed.)

Returning student + paid in full: $640 ($40 a week)
Returning student, not paid in full: $720 ($100 down + $310/$310; $45 a week)
Paid in full, not returning student: $720 ($45 a week)
Not returning student, not paid in full: $800 ($100 down + $350/$350; $50 a week)

Drop me a note at richardgamut@gmail.com to register, to request a full syllabus, or if you have any questions.

Thanks,
Richard

We’re Publishing Stephen King at Gamut in March!

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So here’s the big news: we are reprinting a story by STEPHEN KING in the March issue of Gamut! The story we’re publishing is a powerful post-9/11 tale entitled, “The Things They Left Behind.” I’ve read more of King’s writing than any other author—almost all of his novels, and the majority of his short stories. He’s a big part of the reason I love reading and writing. I’ve been lucky enough to publish alongside him four times as an author (Shivers VI, Qualia Nous, Chiral Mad 3, and Cemetery Dance #72) but this is really something special. They rarely allow reprints of stories this long, and hardly ever online, not to mention we’ll have it for three months (and in the eBook). So, if you have been looking for a reason to subscribe, here you go. (Also, the buy one, get one sale is still going on for February.) Very exciting.