Gamut Kickstarter IS LIVE!

GamutLIVE

We are LIVE! This has been months in the works, years, really. Head on over and check it out. And feel free to spread the word. Thanks for your support.

“Now that short fiction has become as standardized as the SATs and Common Core—all in order to ‘judge’ and ‘rank’ writers—I’m excited to see what Richard Thomas brings to the game. Gamut will be the new magazine not written for the little old lady in Dubuque.”
—Chuck Palahniuk, author of Fight Club

Gamut will be cool, and it will be out there, right on the edges of fiction. I can’t wait.”
—Irvine Welsh, author of Trainspotting

“As publishing venues grow ever more polarized—niche market over here,
stadium rock over there—the need for passionate, thoughtful, unafraid publishing
space is crucial. Enter Gamut.”
—Marcus Sakey, author of Brilliance

“I beg to differ with Mr. Palahniuk: There’s a fabulous indie bookstore in Dubuque, and little old ladies have been known to write some astonishing speculative fiction. Some of it might even end up in this magazine, which promises to bring together the fresh and the dark and the extraordinary. Look for great, weird things from [Gamut].”
—Rebecca Makkai, author of The Hundred-Year House

“A killer lineup of creators.”
—Rose O’Keefe, Publisher, Eraserhead Press

“The heavyweight talent behind Gamut is a promise of great things to come.”
—K. Allen Wood, Publisher, Shock Totem Publications

“It doesn’t matter if a writer has a big name, a pen name, or no name, if they’re writing excellent and edgy fiction, Richard Thomas has probably read their work. But Richard’s a busy guy—seriously, read his bio—and doesn’t have time to meet for coffee or martinis or bowling anytime someone wants to talk about what they should be reading next. Thankfully, now there is Gamut, which is sure to become an index of some of the best fiction writers working today.”
—Diane Goettel, Executive Editor, Black Lawrence Press

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Gamut Magazine: What’s This Website All About?

Gamut Idea-001(Art by Luke Spooner)

“Now that short fiction has become as standardized as the SATs and Common Core—all in order to ‘judge’ and ‘rank’ writers—I’m excited to see what Richard Thomas brings to the game. Gamut will be the new magazine not written for the little old lady in Dubuque.”
—Chuck Palahniuk, author of Fight Club

Gamut will be cool, and it will be out there, right on the edges of fiction. I can’t wait.”
—Irvine Welsh, author of Trainspotting

“As publishing venues grow ever more polarized—niche market over here,
stadium rock over there—the need for passionate, thoughtful, unafraid publishing
space is crucial. Enter Gamut.”
—Marcus Sakey, author of Brilliance

“I beg to differ with Mr. Palahniuk: There’s a fabulous indie bookstore in Dubuque, and little old ladies have been known to write some astonishing speculative fiction. Some of it might even end up in this magazine, which promises to bring together the fresh and the dark and the extraordinary. Look for great, weird things from [Gamut].”
—Rebecca Makkai, author of The Hundred-Year House

“A killer lineup of creators.”
—Rose O’Keefe, Publisher, Eraserhead Press

“The heavyweight talent behind Gamut is a promise of great things to come.”
—K. Allen Wood, Publisher, Shock Totem Publications

“It doesn’t matter if a writer has a big name, a pen name, or no name, if they’re writing excellent and edgy fiction, Richard Thomas has probably read their work. But Richard’s a busy guy—seriously, read his bio—and doesn’t have time to meet for coffee or martinis or bowling anytime someone wants to talk about what they should be reading next. Thankfully, now there is Gamut, which is sure to become an index of some of the best fiction writers working today.”
—Diane Goettel, Executive Editor, Black Lawrence Press

GAMUT (Updated 1/29/2016)

So what’s all of this talk about Gamut? For a long time I’ve wanted to start a magazine. I crunched the numbers for years, but in the end couldn’t make it work. Why? PRINT COSTS. So, over the past year I’ve been looking at it again, and decided the way to go would be to Kickstart it, and have it exist online. I hope to do the Kickstarter in February of 2016, and launch the website on 1/1/2017, if we are successful. For the past several months I’ve been getting things lined up—authors, website, costs, content, the Kickstarter page, etc. We will offer subscriptions via the special Kickstarter for $25-30, with the regular annual price being $50-60. That’s only $5 a month, at the most expensive price point. (Gamut just means a wide range, and it’s usually applied to emotions, but here, it refers to fiction, and more specifically, dark fiction.)

CONTENT

It will include mostly fiction (some original, some reprints) but also columns, non-fiction, art, and maybe even a serial memoir or novella. I have a word count per month in mind, based on my budget, and I’m looking to release new content several times a week. I will start off by publishing work via solicitations and will then open it up to submissions. We will pay 10 cents per word for original fiction, and 3 cents per word for reprints.

GENRES

Well, if you’ve read any of the anthologies I’ve edited (The New Black, Burnt Tongues, The Lineup: 20 Provocative Women Writers, or Exigencies) then you know what my aesthetic is, for sure. Also, you can see the work (and authors) I’ve published at Dark House Press. And of course, my own writing (and YES, I will be publishing some of my own work at Gamut as well, new and reprint). So I’m open to fantasy, science fiction, horror, neo-noir, crime, magical realism, transgressive, Southern gothic, and literary—anything done with innovation, heart and emotion. Everything I enjoy reading and writing typically leans toward the dark side, but I have been known to embrace lighter work, and humor, now and then. It just has to MOVE me. And I like to be surprised.

AUTHORS

To date, here are the people that have given me a verbal commitment to publish original and/or reprint fiction at Gamut: Stephen Graham Jones, Laird Barron, Brian Evenson, Usman T. Malik, Matt Bell, Damien Angelica Walters, Letitia Trent, Mercedes M. Yardley, Alyssa Wong, Benjamin Percy, Lindsay Hunter, Axel Taiari, Amanda Gowin, Laura Benedict, Nathan Ballingrud, Dino Parenti, Ted E. Grau, Rebecca Jones-Howe, Sarah Read, Paula Bomer, Kelly Luce, Livia Llewellyn, Josh Malerman, Carmen Machado, Peter Tieryas, Kevin Catalano, Paul Tremblay, John Langan, Nina McConigley, Nik Korpon, Craig Wallwork, Steve Himmer, Antonia Crane, Steve Rasnic Tem, Kristi DeMeester, Tara Ison, David James Keaton, Cassandra Khaw, Nikki Guerlain, Lucy A. Snyder, JS Breukelaar, Helen Marshall, Amelia Gray, H. L. Nelson, Craig Davidson, Jacklyn Dre Marceau, and Lincoln Michel. Poets will include Jeffrey Skinner, Nickole Brown, Cate Marvin, Paul Guest, Blas Falconer, Carrie Jerrell, Gary Jackson, Erica Dawson, Laura Van Prooyen, Simone Muench, Charles Jensen, Ace Boggess, and Jeannine Hall Gailey.

ART

I’ve asked the following artists to be a part of Gamut: Luke Spooner, George C. Cotronis, Daniele Serra, and Bob Crum, as well as photographer Jennifer Moore.

COLUMNISTS

As of right now, I’m excited to have non-fiction, reviews and commentary from Keith Rawson, Max Booth, and RK Arceneaux.

POETRY

Even though poetry is not my strength, I want there to be a place for it at Gamut, so I’m putting Heather Foster (one of my favorite poets) in charge. She’ll be assisted by Whittney Jones.

STAFF

Speaking of which, Dino Parenti, Mercedes M. Yardley, and Casey Frechette are going to be my fiction editors, and first readers. They all understand my aesthetic and are excellent writers as well. They’re really going to help shape the voice and look of Gamut.

IN CONCLUSION

I’m sure this doesn’t answer all of your questions, some things are still being ironed out, but I’m very excited to see if we can make this work. I love Tor, as well as Nightmare, Shimmer, Apex, Clarkesworld, Black Static, Shock Totem, Cemetery Dance and so many other publications. I hope that Gamut can become a part of the landscape and continue to provide opportunities for authors to share their work, get paid a decent rate, and maybe even get discovered. There is no shortage of talent out there, I can tell you that much. Thanks for reading, and wish us luck! I hope you’ll be a part of this.

For a Limited Time, Disintegration is On Sale for 99 cents.

Disintegration_RT

For a limited time, Random House Alibi has put Disintegration on sale for 99 cents. 92% of the reviews at Amazon and 84% of the reviews at Goodreads are 4 or 5 stars. Pick up a copy today, and I hope you enjoy it.

“A dark existential thriller of unexpected twists, featuring a drowning man determined to pull the rest of the world under with him. A stunning and vital piece of work.”
—Irvine Welsh, author of Trainspotting and Filth

“Sweet hot hell, Richard Thomas writes like a man possessed, a man on fire, a guy with a gun to his head. And you’ll read Disintegration like there’s a gun to yours, too. A twisted masterpiece.”
—Chuck Wendig, author of Blackbirds and Double Dead

“This novel is so hard-hitting it should come with its own ice-pack. Richard Thomas is the wild child of Raymond Chandler and Chuck Palahniuk, a neo-noirist who brings to life a gritty, shadow-soaked, bullet-pocked Chicago as the stage for this compulsively readable crime drama.”
—Benjamin Percy, author of The Dead Lands, Red Moon, and The Wilding

“Thomas builds his universe and its population with terse prose and dynamic, often horrifyingly visceral imagery that unspools with grand weirdness and intensity. Then he rips that universe apart, brick by bloody brick. Disintegration is provocative. It’s also damned fine noir.”
—Laird Barron, author of The Beautiful Thing That Awaits Us All and The Croning

“A sodden, stumbling anti-hero in a noir so dark it makes much of the rest of the genre seem like Disney movies by comparison. Gritty, obsessive, and compulsively readable.”
—Brian Evenson, author of Immobility and Windeye

Disintegration is gritty neo-noir; a psycho-sexual descent into an unhinged psyche and an underworld Chicago that could very well stand in for one of the rings of Dante’s Hell. Richard Thomas’ depraved-doomed-philosopher hitman is your guide. I suggest you do as he says and follow him, if you know what’s good for you.”
—Paul Tremblay, author of A Head Full of Ghosts and The Little Sleep

“In sharp, icy prose that cuts like a glacial wind, Richard Thomas’ dark Chicago tale keeps us absolutely riveted to the very end.”
—Donald Ray Pollock, author of The Devil All the Time and Knockemstiff

Cover reveal for BREAKER (Random House Alibi).

BREAKER_hires

I’m thrilled to share with you the cover for Breaker, the second book in the Windy City Dark Mystery Series (Random House Alibi). This series is not like most traditional mystery series, in that we don’t have the same protagonist. What we do have is the same city (Chicago) with the first book set in the Wicker Park / Bucktown area, the second in Logan Square, just up the road. I lived in both areas for about twelve years in all, and the backdrop, the atmosphere, the tone and mood, that’s all similar. It’s really more like what Stephen King did for small town Maine, instead of Agatha Christie or F. Paul Wilson.

So, what’s Breaker all about? Our protagonist is Raymond, or Ray to his friends. He lives alone, haunted by secrets in his past, various abuses that his parents and sister lay on him, trying to survive, while repressing these memories. He works as a fighter, underground warehouses and private events, in order to pay his rent. Next door, is a young girl, Natalie, just in high school, who see him for the innocent boy he used to be. She’s not afraid of him. But maybe she should be. The struggle throughout this book is for Ray to break the cycle of abuse, to not be the monster that he is destined to be. Can he do it? You’ll have to read it to see.

Right now we’re looking at late 2015 or early 2016 for a release date. If you liked Disintegration, which Irvine Welsh called, “A stunning and vital piece of work,” and Chuck Wendig said was “A twisted masterpiece,” then hopefully you’ll like this book too.

Thanks for the continued support, faithful readers. Can’t wait for this to come out. Thanks to my agent, Paula Munier, and my editor at RHA, Dana Isaacson, for all of their hard work on this.

Hanging with Chuck Palahniuk and Irvine Welsh

IrvingRichardChuck

CP2015Balls

CP2015

Had such a great time at the Chuck Palahniuk reading last night in Naperville. Got to hang out with Chuck and Irvine Welsh, two of the nicest guys I’ve ever met, so very generous and supportive. The lit up balls really show you what a crazy night it was, Chuck giving away so many cool prizes to his fans. Admission got me the signed book and comic, but I was lucky enough to finally catch the severed arm. I edited Burnt Tongues with Chuck (and Dennis Widmyer) which was nominated for a Bram Stoker award, and Irvine Welsh was kind enough to blurb my novel, Disintegration, calling it, “A stunning and vital piece of work.” I’m working on Irvine and I sharing a stage in the near future, since he’s in Chicago now. So much fun. Grateful to both of these guys. Also got to hang out with Jason M. Fylan who has an excellent story in Burnt Tongues, and Kirk Clawes, who helps run ChuckPalahniuk.net and LitReactor.com.

It’s Release Day for DISINTEGRATION!

DisintegrationALL

I can’t even believe Disintegration is finally here, six years in the making. I started this in my MFA program back in 2009, writing the first half with my professor Lynn Pruett, who knew nothing about neo-noir. After I gave her copies of work by Will Christopher Baer and Craig Clevenger, she got what I was going for, and was extremely supportive. When I got to Dale Ray Phillips, who was nominated for a Pulitzer Prize, he said it might not be thesis material, which means—not good enough. I put it aside to work on literary short stories with him, and it was worth the wait. A year and a half later, I had a week between gigs and wrote the second half, 40,000-words in five days, my fingers bruised, my arms aching, practically in tears when I stopped, feeling like I might throw up. That began the year search for a small press, where it was rejected 20, 30, 40 times. Running out of options, I decided to try and get an agent, and over 100 rejections later, Paula Munier at Talctott Notch called me, only 100 pages in, to say she loved it and wanted to sign me. I said finish the book, it’s kind of dark. She did, and she signed me, and we went after the big six and their imprints. So many close calls, coming down to board votes in some cases, and then we got the offer from Random House Alibi. I knew we were taking a chance on this eBook only imprint, but it has been a fantastic experience, my editor there, Dana Isaacson, so supportive, helping to make this book so much better. A team of three copy editors, and four marketing/PR associates, gave me more support than I’ve ever gotten. Now, the day is here.

I hope you enjoy the book, this neo-noir, transgressive thriller that is the first book in the Windy City Dark Mystery Series. It’s kind of Dexter meets Falling Down. The second book, The Breaker, is also set in Chicago, with a different protagonist (out in late 2015, or early 2016). It’s more like what Stephen King did with small town Maine novels than the F. Paul Wilson series, and his Repairman Jack.

ENJOY!

Here are some early reviews:

THIS IS HORROR

THE HORROR BOOKSHELF 5/5

ENTROPY MAGAZINE

CRIME FICTION LOVER 4/5

MATT PUCCI BLOG

SPLATTERHOUSE FIVE 5/5

QUIET FURY BOOKS BLOG 5/5

SJ2B HOUSE OF BOOKS 5/5

PAUL READ OR DEAD

PANTHEON MAGAZINE

HELLNOTES

Here are some excerpts:

ZOUCH

PUNCHNEL’S

ENTROPY

Blurbs are in for DISINTEGRATION—Out May 26, 2015

All of the BLURBS are in for Disintegration. Pre-order it at Amazon and/or add it to your “to-read” shelf at Goodreads. To say that I’m blown away by these amazing authors and their generous blurbs would be an understatement. I hope you enjoy the book. I think it’s some of my best work to date. And, it’s the first book of the Windy City Dark Mystery Series at Random House Alibi. The second book, The Breaker, was turned in last December. If this goes well there could be a whole series set in Chicago.

“A dark existential thriller of unexpected twists, featuring a drowning man determined to pull the rest of the world under with him. A stunning and vital piece of work.”
—Irvine Welsh, author of Trainspotting and Filth

“Sweet hot hell, Richard Thomas writes like a man possessed, a man on fire, a guy with a gun to his head. And you’ll read Disintegration like there’s a gun to yours, too. A twisted masterpiece.”
—Chuck Wendig, author of Blackbirds and Double Dead

“This novel is so hard-hitting it should come with its own ice-pack. Richard Thomas is the wild child of Raymond Chandler and Chuck Palahniuk, a neo-noirist who brings to life a gritty, shadow-soaked, bullet-pocked Chicago as the stage for this compulsively readable crime drama.”
—Benjamin Percy, author of The Dead Lands, Red Moon, and The Wilding

“Thomas builds his universe and its population with terse prose and dynamic, often horrifyingly visceral imagery that unspools with grand weirdness and intensity. Then he rips that universe apart, brick by bloody brick. Disintegration is provocative. It’s also damned fine noir.”
—Laird Barron, author of The Beautiful Thing That Awaits Us All and The Croning

“A sodden, stumbling anti-hero in a noir so dark it makes much of the rest of the genre seem like Disney movies by comparison. Gritty, obsessive, and compulsively readable.”
—Brian Evenson, author of Immobility and Windeye

Disintegration is gritty neo-noir; a psycho-sexual descent into an unhinged psyche and an underworld Chicago that could very well stand in for one of the rings of Dante’s Hell. Richard Thomas’ depraved-doomed-philosopher hitman is your guide. I suggest you do as he says and follow him, if you know what’s good for you.”
—Paul Tremblay, author of A Head Full of Ghosts and The Little Sleep

“In sharp, icy prose that cuts like a glacial wind, Richard Thomas’ dark Chicago tale keeps us absolutely riveted to the very end.”
—Donald Ray Pollock, author of The Devil All the Time and Knockemstiff