Top Ten Reasons to Back Gamut Magazine Now

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Top Ten Reasons to Back Gamut Magazine Now

ONE: We will pay ten cents a word

I think this is an important fact to mention right away. If you are an author, and you want to get paid TWICE the current professional rates, then support Gamut. Why wouldn’t you want to help make this happen? I hear people complain all the time that there aren’t enough paying markets, especially for dark fiction. This is your chance to put your money where your mouth is. It’s $30 for an annual subscription, which will stay that rate forever (as long as you renew) which is a steal for over 400,000 words. We also just added in eBooks, so you can go that route for $54, or get both for $60 (which is still only $5 a month).

TWO: We are inclusive, actively seeking diversity

First of all, we are supporting women, from the beginning with 60% of our authors being women. Beyond that, we are actively looking to include a wide range of perspectives. So whatever your sex, race, nationality, country of origin, religion, occupation, orientation, experience—we want you to be a part of Gamut. What matters most are the stories—neo-noir, speculative fiction with a literary bent. If you understand our aesthetic (which can be gleaned by reading my writing, the four anthologies I’ve edited, and the Dark House Press titles I’ve published) then we want your writing.

WiHM

(From left to right, top to bottom: Nickole Brown, Antonia Crane, Nina McConigley, Helen Marshall, Kristi DeMeester; Alyssa Wong, Livia Llewellyn, Damien Angelica Walters, Cassandra  Khaw, Carmen Machado; Erica Davis, Nikki Guerlain, Cate Marvin, Simone Meunch, Laura Benedict.)

THREE: We will open to blind submissions in 2016

So what does that mean exactly? It means we don’t know who wrote the story until we’ve said yes or no. We will certainly solicit some stories, so if you’re worried about us only publishing our friends, YES, we will publish some of our friends! What editor doesn’t solicit or publish authors they love, that move them—people they may actually know. BUT, I’ve only solicited 40 authors, so we have to accept AT LEAST 24 stories in 2016 for the 2017 year—12 new, and 12 reprints. My fiction editors will be my first readers, and then I will make the final decision on all submissions. It’s important to me to support new voices, diverse voices—and I’m counting on some of that coming in via submissions.

FOUR: A wide range of genres

We are not a horror publication. Or, I should say, we are not publishing ONLY horror. I want fantasy, science fiction, horror, crime, neo-noir, transgressive, magical realism, Southern gothic, weird, surreal, and literary fiction. We are looking for that sweet spot between genre and literary, between expectations and innovation. There is a lot of excellent genre-bending, hybrid fiction going on these days, and that’s what we’re looking for. We don’t want anything that is “classic,” so definitely avoid the same tropes, plots, stories, monsters, and clichés. We also are not fans of excessive graphic violence, rape, molestation, or any sort of bigotry. So, don’t feel if you aren’t a horror author that you can’t submit. I’d say several of our authors not only aren’t horror writers, but aren’t speculative, aren’t writing supernatural stories—for example, I believe that Tara Ison, Lindsay Hunter, Paula Bomer, and Nina McConigley are primarily edgy, literary realists.

FIVE: Pricing is currently 50% of what it will be

Right now, the main rewards are HALF of what they will be after the Kickstarter is over. And, those rates you can lock in right now, forever. As long as you renew, you can retain those rates. So, that’s $30 for website only, $54 for eBook only (monthly), and $60 for both. Those are great rates for 400,000+ words a year, original artwork with every story, and much more. Also, there WILL be a paywall. So, if you don’t subscribe, you won’t be able to read anything.

SIX: Lots of cool rewards at reduced prices

One of the most exciting aspects of this Kickstarter has been the generosity of authors, editors and publishers who have stepped up to donate books, editing services, and much more. It’s humbling, and means a lot to me. We started out with SEVEN rewards, but several sold out, so we added them back in. Some twice. And the rewards expanded as well. Last I checked we had 42 rewards, with 26 selling out. Stop by and see what we have! All of our rewards are also at 50% of MSRP.

DinoCoasters

Subscriptions of course (329 sold so far) as well as postcards, coasters, editing packages for poets and authors, book formatting and layout, photo shoots, craft videos, classes, consultations, lots of books—and even a Tarot Card reading!

SEVEN: New artwork with every story

How cool is that? Not only will Luke Spooner be creating new illustrations for every story, but we’ll also work in spot art from George C. Cotronis, Daniele Serra, Bob Crum, and photographer Jennifer Moore! I’m a huge fan of all of them, so that adds a lot to the experience, in my opinion.

PostcardsALL

EIGHT: Beyond fiction there will be columns, poetry, non-fiction, serializations, etc.

We are going to publish more than just fiction. We’ll have three columnists in Max Booth, RK Arceneaux, and Keith Rawson—to educate, and provide humor. We’ll be working with freelance journalists and essayists as well. We’ll also have poetry, which many fiction-based publications ignore. I’m working on doing a Flash Fiction Friday, as well, and even a Saturday Night Special serialization of something longer, to spice up your weekend.

NINE: Beyond writing, there will be other events and services

We’re also going to embrace other aspects of the arts. I’ve been talking to one of the coolest movie theaters in Chicago, The Music Box, about partnering with Gamut on some events and they’re already excited to do that. We talked about screening some cult classics and other dark hits, such as Blade Runner, Donnie Darko, and Mulholland Drive as well as an A24 retrospective (maybe a whole DAY) which may include such films as Enemy, Under the Skin, Ex Machina and even The Witch. We will be looking into other services at Gamut, which I can’t really get into now, and we’ll definitely have swag down the road a bit—hats, t-shirts, prints. But I mean, we have to establish ourselves first, right? What I’m trying to say is, if you aren’t a big reader, aren’t an author, we’re looking into ways to get you involved, to do things that will appeal to you as well.

music-box

TEN: Be a patron of the arts, start something great

How often to you get to launch a publication? I’ve supported 19 Kickstarter events over the last couple of years—anthologies, journals, magazines, books, games, films, and comics—even post-apocalyptic mugs. It’s exciting! I want you to be a part of this inception, this birth, this creation. You can help shape it. I don’t know how successful this will be, but what if this was the next Tor, or Clarkesworld, or Tin House, or Rolling Stone? You could say, “I helped make this happen.” I don’t own much original art, but the paintings I do own, they mean a lot to me. I see the heart and soul that went into that work, and I was able, through my purchase, to support that vision, that artist. And to be honest, that feels pretty good. It is such a thrill to see students of mine land agents and book deals, to see my peers grow, and evolve, and succeed.

Let me tell you a little story.

When Letitia Trent sent me a story for Exigencies, I’d already publisher her book, Echo Lake. I loved it. But she had been primarily a poet—this was new to her. She hadn’t written that many stories. We talked about “Wilderness,” and the moment I started it, I knew it was something special. When I was done reading, I immediately sent her an email to tell her I wanted it. I was actually panicking, thinking another editor was going to snatch it up. She was relieved that I said yes. I guess the story had been bouncing around a bit and had already been rejected by several top magazines. I told her, “Letitia, those editors are mistaken. They are going to regret that they passed on this story. It’s exceptional.” I could tell she didn’t really believe me. That story was just selected for Best Horror of the Year, by Ellen Datlow. If anybody is a judge of greatness in horror, and dark fiction, it’s Ellen. Out of hundreds, thousands of stories, she deemed this one of the best. It was a validation that meant a lot to me, as the editor, and publisher, that my own vision was supported that way—and more importantly, it showed Letitia that she was doing something special, doing great work. Truly inspiring.

IN CONCLUSION

I’ve said this a few times, but I want to repeat it again here at the end. The opposite of love is not hate—it is indifference. If this kind of publication is important to you, if you write or read dark fiction, then please get involved. Donate and spread the word. The base subscription is only $30, just $2.50 a month. If I’ve ever done anything for you—blurbed your book, Tweeted about your success, shared an important Facebook announcement, bought your thing, given you advice privately, taught you in a class, or merely been your friend—jump in now, when I need your help the most.

Thanks,
Richard

Gamut Magazine: What’s This Website All About?

Gamut Idea-001(Art by Luke Spooner)

“Now that short fiction has become as standardized as the SATs and Common Core—all in order to ‘judge’ and ‘rank’ writers—I’m excited to see what Richard Thomas brings to the game. Gamut will be the new magazine not written for the little old lady in Dubuque.”
—Chuck Palahniuk, author of Fight Club

Gamut will be cool, and it will be out there, right on the edges of fiction. I can’t wait.”
—Irvine Welsh, author of Trainspotting

“As publishing venues grow ever more polarized—niche market over here,
stadium rock over there—the need for passionate, thoughtful, unafraid publishing
space is crucial. Enter Gamut.”
—Marcus Sakey, author of Brilliance

“I beg to differ with Mr. Palahniuk: There’s a fabulous indie bookstore in Dubuque, and little old ladies have been known to write some astonishing speculative fiction. Some of it might even end up in this magazine, which promises to bring together the fresh and the dark and the extraordinary. Look for great, weird things from [Gamut].”
—Rebecca Makkai, author of The Hundred-Year House

“A killer lineup of creators.”
—Rose O’Keefe, Publisher, Eraserhead Press

“The heavyweight talent behind Gamut is a promise of great things to come.”
—K. Allen Wood, Publisher, Shock Totem Publications

“It doesn’t matter if a writer has a big name, a pen name, or no name, if they’re writing excellent and edgy fiction, Richard Thomas has probably read their work. But Richard’s a busy guy—seriously, read his bio—and doesn’t have time to meet for coffee or martinis or bowling anytime someone wants to talk about what they should be reading next. Thankfully, now there is Gamut, which is sure to become an index of some of the best fiction writers working today.”
—Diane Goettel, Executive Editor, Black Lawrence Press

GAMUT (Updated 1/29/2016)

So what’s all of this talk about Gamut? For a long time I’ve wanted to start a magazine. I crunched the numbers for years, but in the end couldn’t make it work. Why? PRINT COSTS. So, over the past year I’ve been looking at it again, and decided the way to go would be to Kickstart it, and have it exist online. I hope to do the Kickstarter in February of 2016, and launch the website on 1/1/2017, if we are successful. For the past several months I’ve been getting things lined up—authors, website, costs, content, the Kickstarter page, etc. We will offer subscriptions via the special Kickstarter for $25-30, with the regular annual price being $50-60. That’s only $5 a month, at the most expensive price point. (Gamut just means a wide range, and it’s usually applied to emotions, but here, it refers to fiction, and more specifically, dark fiction.)

CONTENT

It will include mostly fiction (some original, some reprints) but also columns, non-fiction, art, and maybe even a serial memoir or novella. I have a word count per month in mind, based on my budget, and I’m looking to release new content several times a week. I will start off by publishing work via solicitations and will then open it up to submissions. We will pay 10 cents per word for original fiction, and 3 cents per word for reprints.

GENRES

Well, if you’ve read any of the anthologies I’ve edited (The New Black, Burnt Tongues, The Lineup: 20 Provocative Women Writers, or Exigencies) then you know what my aesthetic is, for sure. Also, you can see the work (and authors) I’ve published at Dark House Press. And of course, my own writing (and YES, I will be publishing some of my own work at Gamut as well, new and reprint). So I’m open to fantasy, science fiction, horror, neo-noir, crime, magical realism, transgressive, Southern gothic, and literary—anything done with innovation, heart and emotion. Everything I enjoy reading and writing typically leans toward the dark side, but I have been known to embrace lighter work, and humor, now and then. It just has to MOVE me. And I like to be surprised.

AUTHORS

To date, here are the people that have given me a verbal commitment to publish original and/or reprint fiction at Gamut: Stephen Graham Jones, Laird Barron, Brian Evenson, Usman T. Malik, Matt Bell, Damien Angelica Walters, Letitia Trent, Mercedes M. Yardley, Alyssa Wong, Benjamin Percy, Lindsay Hunter, Axel Taiari, Amanda Gowin, Laura Benedict, Nathan Ballingrud, Dino Parenti, Ted E. Grau, Rebecca Jones-Howe, Sarah Read, Paula Bomer, Kelly Luce, Livia Llewellyn, Josh Malerman, Carmen Machado, Peter Tieryas, Kevin Catalano, Paul Tremblay, John Langan, Nina McConigley, Nik Korpon, Craig Wallwork, Steve Himmer, Antonia Crane, Steve Rasnic Tem, Kristi DeMeester, Tara Ison, David James Keaton, Cassandra Khaw, Nikki Guerlain, Lucy A. Snyder, JS Breukelaar, Helen Marshall, Amelia Gray, H. L. Nelson, Craig Davidson, Jacklyn Dre Marceau, and Lincoln Michel. Poets will include Jeffrey Skinner, Nickole Brown, Cate Marvin, Paul Guest, Blas Falconer, Carrie Jerrell, Gary Jackson, Erica Dawson, Laura Van Prooyen, Simone Muench, Charles Jensen, Ace Boggess, and Jeannine Hall Gailey.

ART

I’ve asked the following artists to be a part of Gamut: Luke Spooner, George C. Cotronis, Daniele Serra, and Bob Crum, as well as photographer Jennifer Moore.

COLUMNISTS

As of right now, I’m excited to have non-fiction, reviews and commentary from Keith Rawson, Max Booth, and RK Arceneaux.

POETRY

Even though poetry is not my strength, I want there to be a place for it at Gamut, so I’m putting Heather Foster (one of my favorite poets) in charge. She’ll be assisted by Whittney Jones.

STAFF

Speaking of which, Dino Parenti, Mercedes M. Yardley, and Casey Frechette are going to be my fiction editors, and first readers. They all understand my aesthetic and are excellent writers as well. They’re really going to help shape the voice and look of Gamut.

IN CONCLUSION

I’m sure this doesn’t answer all of your questions, some things are still being ironed out, but I’m very excited to see if we can make this work. I love Tor, as well as Nightmare, Shimmer, Apex, Clarkesworld, Black Static, Shock Totem, Cemetery Dance and so many other publications. I hope that Gamut can become a part of the landscape and continue to provide opportunities for authors to share their work, get paid a decent rate, and maybe even get discovered. There is no shortage of talent out there, I can tell you that much. Thanks for reading, and wish us luck! I hope you’ll be a part of this.

“Victimized” released as an esingle

“‘Victimized’ is one of the best pieces of bad-ass, hard-core apocalyptic noir I’ve read in a while.” –Scott Phillips, author of THE ICE HARVEST

“Put your dukes up, readers, because Thomas is gunning for the KO with this brutal little ass-kick of a story.” –Craig Davidson, author of SARAH COURT

“As tough, ass-kicking and twisted as fiction gets. Imagine a Dear John letter that Hitler might have written to Lucifer right before he blew his brains out. Then crank things up ten notches.” –Donald Ray Pollock, author of KNOCKEMSTIFF

Hey guys,

I’ve finally decided to self-publish something. I’ve put the extended version of my story “Victimized” up at the Amazon Kindle store for 99 cents.

The original 5,000 word story was published in Murky Depths #15. They do beautiful work, and won the British Fantasy Award last year for best magazine.

To purchase the 6,800 word version, just head over to Amazon and drop your $1 on the counter.

What’s it about? Well, here’s a quick synopsis. It’s one of my favorite stories:

In the near future, Annabelle lives a fractured life, haunted by the shadows of her past, dark moments of abuse and freedom at the hands of her own kin. She has the opportunity to get into a boxing ring and fight her oppressor, to face the man that altered her, to beat him down with all of her rage. This is the way things are now, society given the chance to take on the murderers, the rapists, those that have tainted their lives, hurt their family, destroyed what was innocent and pure. Preparing to go to battle, Belle taps into her true identity, and changes, a warrior entering battle, unwilling to hesitate, ready to kill.

Thank you for your support.

Cover art for Transubstantiate

Pre-order 4.1.10 - Release 6.18.10

Pre-order 4.1.10 - Release 6.18.10

Well, I’m finally able to post up the artwork for the covers of Transubstantiate. Thanks Jamie for the great work, and everyone at OWP for letting me be a part of this process.

Pre-orders start on 4.1.10 for the signed, limited of 100 hardcovers with extras like a bonus chapter, extended interview and audio cd with several short stories, as well as the paperback. Release date is 6.18.10. You can also come join the Facebook Group to stay in the loop. 700 members and growing.

Complete List of Online Stories

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This is a Table of Contents for all of my current, LIVE fiction that is available online for FREE. Below are each of the stories, a brief synopsis, and a link to the site that hosts them. They are in reverse chronological order.

What do all of these stories have in common? I tend to write about the darker aspects of life, and am fascinated by what happens when things fall apart, how we handle life when it throws us a curve ball, the dysfunction in everyday life, how we rebel against the rules of society, and what goes on in the middle of the night.

Last Updated: August 13, 2019

TABLE OF CONTENTS:

“How Not to Come Undone”
THE WRITING DISORDER
SYNOPSIS: A pair of twins balance each other out, but that’s not always a good thing. In this dark magical realism we see how far family will go to save each other.
HOW NOT TO COME UNDONE

“Vision Quest”
NORWEGIAN AMERICAN
SYNOPSIS: When a violent car accident takes his family, one man starts having visions.
VISION QUEST

“Rapture”
SOLARCIDE
SYNOPSIS: It’s not easy being a goddess these days. But there’s hope for Dia still.
RAPTURE

“From Within”
CEASE, COWS
SYNOPSIS: In a slave state, how do you protect your son? What if he doesn’t need protecting? Long-listed for Best Horror of the Year.
FROM WITHIN

“Little Red Wagon”
THE WRITING DISORDER
SYNOPSIS: What would you do to keep the human race alive? And what does being human really mean?
LITTLE RED WAGON

“Moving Heavy Objects”
STORYSOUTH
SYNOPSIS: A son tries to forgive his father for being so distant.
MOVING HEAVY OBJECTS

“Asking for Forgiveness”
MENACING HEDGE
SYNOPSIS: When the land yields nothing but abomination, how does family change, how do we survive? Long-listed for Best Horror of the Year.
ASKING FOR FORGIVENESS

“Gandaberunda”
SHOTGUN HONEY
SYNOPSIS: What happens when evil finds a young boy, an ancient creature, the signs all ignored?
GANDABERUNDA

“Sugar and Spice”
WEEKENDER
SYNOPSIS: A father comes to terms with the fact that his innocent daughter is growing up, and isn’t quite so innocent any more.
SUGAR AND SPICE

“Tinkering With the Moon”
GOREYESQUE
SYNOPSIS: When a little boy misses his father, he’d do anything to reunite with him.
TINKERING WITH THE MOON

“Bury Me Deep”
THE BIG ADIOS
SYNOPSIS: Out in the wild west, there lurk shadows and dark deeds, all done under the blazing sun for God and all to witness.
BURY ME DEEP

“Love Letters”
CEASE, COWS
SYNOPSIS: The things we do for love are often very destructive.
LOVE LETTERS

“Flowers for Jessica”
MAYDAY MAGAZINE
SYNOPSIS: How far would you go to bring your loved one back from the dead?
FLOWERS FOR JESSICA

“The Fix-It Man”
BLACK HEART MAGAZINE
SYNOPSIS: When a man falls apart, disconnects from his wife and son, what gesture can he make as he disintegrates?
THE FIX-IT MAN

“Something’s Broken”
FLYWHEEL MAGAZINE
SYNOPSIS: You fix it if you can, whatever’s broken. Because once somebody else picks the pieces up, once somebody else fixes it—it’s no longer yours.
SOMETHING’S BROKEN

“Vision Quest”
SURREAL GROTESQUE
SYNOPSIS: When a violent car accident takes his family, one man starts having visions.
VISION QUEST (ISSUU direct)

“Charlotte Sometimes”
ZOUCH
SYNOPSIS: Charlotte needs to escape sometimes.
CHARLOTTE SOMETIMES
[Sixth place winner of the Zouch Lit Bits Fiction contest]

“Jimmy Five Ways”
PUNCHNEL’S
SYNOPSIS: A wife, a son, a mistress, a partner and a man named Jimmy—five ways.
JIMMY FIVE WAYS
[One of the five winners of the Punchnel’s Hard-Boiled Down Noir Fiction contest]

“The Handyman”
CONJECTURAL FIGMENTS
SYNOPSIS: What makes us human and what makes us inhuman?
THE HANDYMAN (ISSUU direct)

“Twenty Reasons to Stay and One to Leave”
METAZEN (Defunct)
SYNOPSIS: When something tragic happens, do you stay or do you leave? Sometimes you stay for a long time, only to realize that leaving would be less cruel. Nominated for a Pushcart Prize.
TWENTY REASONS TO LEAVE AND ONE TO STAY

“Love Letters”
CANNOLI PIE
EXCERPT: “It started with the paper, tearing it apart into little pieces, pressing it into tiny balls and popping the crumpled words into her mouth.”
LOVE LETTERS (ISUU direct)

“Daybreak”
STEPAWAY MAGAZINE
SYNOPSIS: Sometimes you walk away from it all. Or maybe you’re walking towards something. Either way, be complete in your transformation.
DAYBREAK

“After She Has Gone”
SHOTGUN HONEY
SYNOPSIS: When she takes it all, and you’re left with nothing but despair, what do you do? Suicide is an option—and as you wander the woods in search of a tomb, the darkness speaks to you the truth.
AFTER SHE HAS GONE

“Splintered”
PANK
SYNOPSIS: In real life, there are paths to take, sometimes you have a choice, some times you do not. In this adult “choose-your-own” ending adventure it’s up to you whether or not to be parnoid or to trust, to be innocent, or just a fool.
SPLINTERED

“Three Mistakes”
WORD RIOT
SYNOPSIS: Sometimes that’s all it takes, three mistakes to fall from grace, to lose it all, and maybe realize too late, that you had a pretty good life.
THREE MISTAKES

“Maker of Flight”
CHIZINE
WINNER of the 2009 “Enter the World of Filaria” contest
SYNOPSIS: In this contest, we were given the challenge of adding to the vivid and futuristic world that Brent Hayward created. In 1000 words, you were to find a way to insert a short piece of fiction that could stand alone, and also add to the world of Filaria. In Brent’s words:“That was a really nice piece you wrote, and in my head now it’s somehow forever tangled up in Filaria.”
MAKER OF FLIGHT (no longer online)

(A number of other stores are no longer available as the websites and publications have since gone under. I have removed them from this list as they have disappeared. Gone are: Opium Magazine, Colored Chalk, Cause & Effect, Nefarious Muse, ChiZine’s Chiaroscuro, Cherry Bleeds, Troubadour 21, Carbon-Based Lifeform Blues, Leodegraunce, Metazen, Emprise Review, Conjectural Figments, Beat the Dust, Thickjam, Circa, The Dying Goose, Parable Press, Revolt Daily, Penumbra, etc. RIP. )

 

Praise for “Maker of Flight”

From the editor of ChiZine Publications, Brett Alexander Savory, via their Facebook update:

ENTER THE WORLD OF FILARIA CONTEST RESULTS
The winning entries for the Enter the World of Filaria Contest
have been posted at the site. Richard Thomas’s “Maker of Flight”,
a disquieting tale of what might be happening behind a closed door on the top level of the structure, won first place.

Brent also had some nice things to say to me about it:

“That was a really nice piece you wrote, and in my head now it’s somehow forever tangled up in Filaria.”

I thought that was the ultimate compliment