The Soul Standard (Dzanc Books) is OUT TODAY!

TSS

How many years has it been since we started this project? I think at least five, my section, Golden Geese, written at the Writers in the Heartland writing residency that I was awarded back in 2011. The Soul Standard (Dzanc Books) is a dark journey—four novellas written by four authors (myself, Nik Korpon, Caleb Ross and Axel Taiari) across for seasons in four different parts of The City. Think Sin City meets Memento. It was an honor to work on this with Nik, Caleb, and Axel—three very talented authors.

Here is what This is Horror had to say about it:

The Soul Standard is unlike anything else you’re likely to read this year, or this decade. Think Sin City meets Blade Runner meets David Lynch and you’ll begin to have an inkling of what’s in store for you, but only a very small one. These four brilliant authors have brought their collective genius together to paint this unflinchingly violent, oppressively bleak city with the adroitness of world class painters, drawing vivid images on your imagination in varying shades of gray and frequent splashes of red. Dzanc Books has a reputation for only publishing the very highest quality fiction and The Soul Standard does nothing to tarnish that rep.”

So if you enjoy my writing, and that of my esteemed peers (Nik is blowing up, with several books out, a new contract with Angry Robot books just announced and Axel Taiari one of the authors in the anthology I edited, Exigencies) then pick this up today.

Here’s the official description:

Across four different districts of a city that has torn itself to shreds, four different interweaving tales (each written by a different author) play out. In “Four Corners,” a morally dubious banker must keep his employer happy at any cost. The next story, “Punhos Sagrados,” concerns a boxer who finds himself torn between honor and the woman he loves. “Golden Geese” follows a hardened criminal with a terrifying condition who must come to terms with the life he’s led. Finally, “Jamais Vu” provides a stunning denouement as a man searches endlessly for his missing daughter, a task which is complicated by a peculiar condition: his inability to recognize faces. Told in rugged, bare-knuckled prose, The Soul Standard is a nonstop thrill-ride down the darkened avenues and through the shadowed alleys of a nightmare town.

Thanks for your continued support!

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Top Ten Reasons to Back Gamut Magazine Now

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Top Ten Reasons to Back Gamut Magazine Now

ONE: We will pay ten cents a word

I think this is an important fact to mention right away. If you are an author, and you want to get paid TWICE the current professional rates, then support Gamut. Why wouldn’t you want to help make this happen? I hear people complain all the time that there aren’t enough paying markets, especially for dark fiction. This is your chance to put your money where your mouth is. It’s $30 for an annual subscription, which will stay that rate forever (as long as you renew) which is a steal for over 400,000 words. We also just added in eBooks, so you can go that route for $54, or get both for $60 (which is still only $5 a month).

TWO: We are inclusive, actively seeking diversity

First of all, we are supporting women, from the beginning with 60% of our authors being women. Beyond that, we are actively looking to include a wide range of perspectives. So whatever your sex, race, nationality, country of origin, religion, occupation, orientation, experience—we want you to be a part of Gamut. What matters most are the stories—neo-noir, speculative fiction with a literary bent. If you understand our aesthetic (which can be gleaned by reading my writing, the four anthologies I’ve edited, and the Dark House Press titles I’ve published) then we want your writing.

WiHM

(From left to right, top to bottom: Nickole Brown, Antonia Crane, Nina McConigley, Helen Marshall, Kristi DeMeester; Alyssa Wong, Livia Llewellyn, Damien Angelica Walters, Cassandra  Khaw, Carmen Machado; Erica Davis, Nikki Guerlain, Cate Marvin, Simone Meunch, Laura Benedict.)

THREE: We will open to blind submissions in 2016

So what does that mean exactly? It means we don’t know who wrote the story until we’ve said yes or no. We will certainly solicit some stories, so if you’re worried about us only publishing our friends, YES, we will publish some of our friends! What editor doesn’t solicit or publish authors they love, that move them—people they may actually know. BUT, I’ve only solicited 40 authors, so we have to accept AT LEAST 24 stories in 2016 for the 2017 year—12 new, and 12 reprints. My fiction editors will be my first readers, and then I will make the final decision on all submissions. It’s important to me to support new voices, diverse voices—and I’m counting on some of that coming in via submissions.

FOUR: A wide range of genres

We are not a horror publication. Or, I should say, we are not publishing ONLY horror. I want fantasy, science fiction, horror, crime, neo-noir, transgressive, magical realism, Southern gothic, weird, surreal, and literary fiction. We are looking for that sweet spot between genre and literary, between expectations and innovation. There is a lot of excellent genre-bending, hybrid fiction going on these days, and that’s what we’re looking for. We don’t want anything that is “classic,” so definitely avoid the same tropes, plots, stories, monsters, and clichés. We also are not fans of excessive graphic violence, rape, molestation, or any sort of bigotry. So, don’t feel if you aren’t a horror author that you can’t submit. I’d say several of our authors not only aren’t horror writers, but aren’t speculative, aren’t writing supernatural stories—for example, I believe that Tara Ison, Lindsay Hunter, Paula Bomer, and Nina McConigley are primarily edgy, literary realists.

FIVE: Pricing is currently 50% of what it will be

Right now, the main rewards are HALF of what they will be after the Kickstarter is over. And, those rates you can lock in right now, forever. As long as you renew, you can retain those rates. So, that’s $30 for website only, $54 for eBook only (monthly), and $60 for both. Those are great rates for 400,000+ words a year, original artwork with every story, and much more. Also, there WILL be a paywall. So, if you don’t subscribe, you won’t be able to read anything.

SIX: Lots of cool rewards at reduced prices

One of the most exciting aspects of this Kickstarter has been the generosity of authors, editors and publishers who have stepped up to donate books, editing services, and much more. It’s humbling, and means a lot to me. We started out with SEVEN rewards, but several sold out, so we added them back in. Some twice. And the rewards expanded as well. Last I checked we had 42 rewards, with 26 selling out. Stop by and see what we have! All of our rewards are also at 50% of MSRP.

DinoCoasters

Subscriptions of course (329 sold so far) as well as postcards, coasters, editing packages for poets and authors, book formatting and layout, photo shoots, craft videos, classes, consultations, lots of books—and even a Tarot Card reading!

SEVEN: New artwork with every story

How cool is that? Not only will Luke Spooner be creating new illustrations for every story, but we’ll also work in spot art from George C. Cotronis, Daniele Serra, Bob Crum, and photographer Jennifer Moore! I’m a huge fan of all of them, so that adds a lot to the experience, in my opinion.

PostcardsALL

EIGHT: Beyond fiction there will be columns, poetry, non-fiction, serializations, etc.

We are going to publish more than just fiction. We’ll have three columnists in Max Booth, RK Arceneaux, and Keith Rawson—to educate, and provide humor. We’ll be working with freelance journalists and essayists as well. We’ll also have poetry, which many fiction-based publications ignore. I’m working on doing a Flash Fiction Friday, as well, and even a Saturday Night Special serialization of something longer, to spice up your weekend.

NINE: Beyond writing, there will be other events and services

We’re also going to embrace other aspects of the arts. I’ve been talking to one of the coolest movie theaters in Chicago, The Music Box, about partnering with Gamut on some events and they’re already excited to do that. We talked about screening some cult classics and other dark hits, such as Blade Runner, Donnie Darko, and Mulholland Drive as well as an A24 retrospective (maybe a whole DAY) which may include such films as Enemy, Under the Skin, Ex Machina and even The Witch. We will be looking into other services at Gamut, which I can’t really get into now, and we’ll definitely have swag down the road a bit—hats, t-shirts, prints. But I mean, we have to establish ourselves first, right? What I’m trying to say is, if you aren’t a big reader, aren’t an author, we’re looking into ways to get you involved, to do things that will appeal to you as well.

music-box

TEN: Be a patron of the arts, start something great

How often to you get to launch a publication? I’ve supported 19 Kickstarter events over the last couple of years—anthologies, journals, magazines, books, games, films, and comics—even post-apocalyptic mugs. It’s exciting! I want you to be a part of this inception, this birth, this creation. You can help shape it. I don’t know how successful this will be, but what if this was the next Tor, or Clarkesworld, or Tin House, or Rolling Stone? You could say, “I helped make this happen.” I don’t own much original art, but the paintings I do own, they mean a lot to me. I see the heart and soul that went into that work, and I was able, through my purchase, to support that vision, that artist. And to be honest, that feels pretty good. It is such a thrill to see students of mine land agents and book deals, to see my peers grow, and evolve, and succeed.

Let me tell you a little story.

When Letitia Trent sent me a story for Exigencies, I’d already publisher her book, Echo Lake. I loved it. But she had been primarily a poet—this was new to her. She hadn’t written that many stories. We talked about “Wilderness,” and the moment I started it, I knew it was something special. When I was done reading, I immediately sent her an email to tell her I wanted it. I was actually panicking, thinking another editor was going to snatch it up. She was relieved that I said yes. I guess the story had been bouncing around a bit and had already been rejected by several top magazines. I told her, “Letitia, those editors are mistaken. They are going to regret that they passed on this story. It’s exceptional.” I could tell she didn’t really believe me. That story was just selected for Best Horror of the Year, by Ellen Datlow. If anybody is a judge of greatness in horror, and dark fiction, it’s Ellen. Out of hundreds, thousands of stories, she deemed this one of the best. It was a validation that meant a lot to me, as the editor, and publisher, that my own vision was supported that way—and more importantly, it showed Letitia that she was doing something special, doing great work. Truly inspiring.

IN CONCLUSION

I’ve said this a few times, but I want to repeat it again here at the end. The opposite of love is not hate—it is indifference. If this kind of publication is important to you, if you write or read dark fiction, then please get involved. Donate and spread the word. The base subscription is only $30, just $2.50 a month. If I’ve ever done anything for you—blurbed your book, Tweeted about your success, shared an important Facebook announcement, bought your thing, given you advice privately, taught you in a class, or merely been your friend—jump in now, when I need your help the most.

Thanks,
Richard

Gamut Magazine: What’s This Website All About?

Gamut Idea-001(Art by Luke Spooner)

“Now that short fiction has become as standardized as the SATs and Common Core—all in order to ‘judge’ and ‘rank’ writers—I’m excited to see what Richard Thomas brings to the game. Gamut will be the new magazine not written for the little old lady in Dubuque.”
—Chuck Palahniuk, author of Fight Club

Gamut will be cool, and it will be out there, right on the edges of fiction. I can’t wait.”
—Irvine Welsh, author of Trainspotting

“As publishing venues grow ever more polarized—niche market over here,
stadium rock over there—the need for passionate, thoughtful, unafraid publishing
space is crucial. Enter Gamut.”
—Marcus Sakey, author of Brilliance

“I beg to differ with Mr. Palahniuk: There’s a fabulous indie bookstore in Dubuque, and little old ladies have been known to write some astonishing speculative fiction. Some of it might even end up in this magazine, which promises to bring together the fresh and the dark and the extraordinary. Look for great, weird things from [Gamut].”
—Rebecca Makkai, author of The Hundred-Year House

“A killer lineup of creators.”
—Rose O’Keefe, Publisher, Eraserhead Press

“The heavyweight talent behind Gamut is a promise of great things to come.”
—K. Allen Wood, Publisher, Shock Totem Publications

“It doesn’t matter if a writer has a big name, a pen name, or no name, if they’re writing excellent and edgy fiction, Richard Thomas has probably read their work. But Richard’s a busy guy—seriously, read his bio—and doesn’t have time to meet for coffee or martinis or bowling anytime someone wants to talk about what they should be reading next. Thankfully, now there is Gamut, which is sure to become an index of some of the best fiction writers working today.”
—Diane Goettel, Executive Editor, Black Lawrence Press

GAMUT (Updated 1/29/2016)

So what’s all of this talk about Gamut? For a long time I’ve wanted to start a magazine. I crunched the numbers for years, but in the end couldn’t make it work. Why? PRINT COSTS. So, over the past year I’ve been looking at it again, and decided the way to go would be to Kickstart it, and have it exist online. I hope to do the Kickstarter in February of 2016, and launch the website on 1/1/2017, if we are successful. For the past several months I’ve been getting things lined up—authors, website, costs, content, the Kickstarter page, etc. We will offer subscriptions via the special Kickstarter for $25-30, with the regular annual price being $50-60. That’s only $5 a month, at the most expensive price point. (Gamut just means a wide range, and it’s usually applied to emotions, but here, it refers to fiction, and more specifically, dark fiction.)

CONTENT

It will include mostly fiction (some original, some reprints) but also columns, non-fiction, art, and maybe even a serial memoir or novella. I have a word count per month in mind, based on my budget, and I’m looking to release new content several times a week. I will start off by publishing work via solicitations and will then open it up to submissions. We will pay 10 cents per word for original fiction, and 3 cents per word for reprints.

GENRES

Well, if you’ve read any of the anthologies I’ve edited (The New Black, Burnt Tongues, The Lineup: 20 Provocative Women Writers, or Exigencies) then you know what my aesthetic is, for sure. Also, you can see the work (and authors) I’ve published at Dark House Press. And of course, my own writing (and YES, I will be publishing some of my own work at Gamut as well, new and reprint). So I’m open to fantasy, science fiction, horror, neo-noir, crime, magical realism, transgressive, Southern gothic, and literary—anything done with innovation, heart and emotion. Everything I enjoy reading and writing typically leans toward the dark side, but I have been known to embrace lighter work, and humor, now and then. It just has to MOVE me. And I like to be surprised.

AUTHORS

To date, here are the people that have given me a verbal commitment to publish original and/or reprint fiction at Gamut: Stephen Graham Jones, Laird Barron, Brian Evenson, Usman T. Malik, Matt Bell, Damien Angelica Walters, Letitia Trent, Mercedes M. Yardley, Alyssa Wong, Benjamin Percy, Lindsay Hunter, Axel Taiari, Amanda Gowin, Laura Benedict, Nathan Ballingrud, Dino Parenti, Ted E. Grau, Rebecca Jones-Howe, Sarah Read, Paula Bomer, Kelly Luce, Livia Llewellyn, Josh Malerman, Carmen Machado, Peter Tieryas, Kevin Catalano, Paul Tremblay, John Langan, Nina McConigley, Nik Korpon, Craig Wallwork, Steve Himmer, Antonia Crane, Steve Rasnic Tem, Kristi DeMeester, Tara Ison, David James Keaton, Cassandra Khaw, Nikki Guerlain, Lucy A. Snyder, JS Breukelaar, Helen Marshall, Amelia Gray, H. L. Nelson, Craig Davidson, Jacklyn Dre Marceau, and Lincoln Michel. Poets will include Jeffrey Skinner, Nickole Brown, Cate Marvin, Paul Guest, Blas Falconer, Carrie Jerrell, Gary Jackson, Erica Dawson, Laura Van Prooyen, Simone Muench, Charles Jensen, Ace Boggess, and Jeannine Hall Gailey.

ART

I’ve asked the following artists to be a part of Gamut: Luke Spooner, George C. Cotronis, Daniele Serra, and Bob Crum, as well as photographer Jennifer Moore.

COLUMNISTS

As of right now, I’m excited to have non-fiction, reviews and commentary from Keith Rawson, Max Booth, and RK Arceneaux.

POETRY

Even though poetry is not my strength, I want there to be a place for it at Gamut, so I’m putting Heather Foster (one of my favorite poets) in charge. She’ll be assisted by Whittney Jones.

STAFF

Speaking of which, Dino Parenti, Mercedes M. Yardley, and Casey Frechette are going to be my fiction editors, and first readers. They all understand my aesthetic and are excellent writers as well. They’re really going to help shape the voice and look of Gamut.

IN CONCLUSION

I’m sure this doesn’t answer all of your questions, some things are still being ironed out, but I’m very excited to see if we can make this work. I love Tor, as well as Nightmare, Shimmer, Apex, Clarkesworld, Black Static, Shock Totem, Cemetery Dance and so many other publications. I hope that Gamut can become a part of the landscape and continue to provide opportunities for authors to share their work, get paid a decent rate, and maybe even get discovered. There is no shortage of talent out there, I can tell you that much. Thanks for reading, and wish us luck! I hope you’ll be a part of this.

Cover reveal for Disintegration, my second novel (Random House Alibi) out in June of 2015

Disintegration_RTExcited to reveal the cover art for my second novel, Disintegration, out June 2, 2015 with Random House Alibi. It’s Dexter meets Falling Down, inspired by voices like Will Christopher Baer, Craig Clevenger, and Stephen Graham Jones. Hope you dig the art, here’s the full description from RHA:

In a brilliantly stylish breakthrough thriller for fans of Bret Easton Ellis’s American Psycho and Will Christopher Baer’s Kiss Me, Judas, here is the compelling tale of a man who has lost it all—and is now navigating a crooked, harrowing path to redemption.

Once a suburban husband and father, now the man has lost all sense of time. He retains only a few keepsakes of his former life: a handmade dining room table, an armoire and dresser from the bedroom, and a tape of the last message his wife ever left on their answering machine. These are memories of a man who no longer exists. Booze and an affair with a beautiful woman provide little relief, with the only meaning left in his life comes from his assignments. An envelope slipped under the door of his apartment with the name and address of an unpunished evildoer. The unspoken directive to kill. And every time he does, he marks the occasion with a memento: a tattoo. He has a lot of tattoos.

But into this unchanging existence seep unsettling questions. How much of what he feels and sees can he trust? How much is a lie designed to control him? He will risk his own life—and the lives of everyone around him—to find out.

Bar Scars by Nik Korpon

When I think back to when and where my writing career really started, about five years ago, one of the first names that pops into my head is Nik Korpon. He was there when I discovered what neo-noir was all about, and he’s been a brother-in-arms ever since. With the release of Bar Scars (Snubnose Press) he puts together a compelling collection of neo-noir fiction that is always entertaining, thought provoking, and unexpected. Since we both have collections coming out with Snubnose this month, I’m going to talk about Bar Scars, and he’s going to talk about my collection, Herniated Roots, over at his blog. So check out both posts, it’ll definitely be worth your time.

“This Will All End Well”
SYNOPSIS: A man walks in on his girl with another guy. Or does he?
COMMENTS: With a title like “This Will All End Well,” you know it can only be the opposite. What Nik does so well here is set you up, again and again. First, it’s the cheating wife, the politician tossing money on the floor, begging for forgiveness, caught in the act. Then, it’s the fact that she hasn’t been cheating at all, this is all a set up, they’re in on this caper together. But there’s more here. And that’s what I love about Nik’s work, it just goes deeper. Adding in his usual lyrical voice and ability to turn a phrase, set the stage, and you have a great opening story to his collection.

“A Sparrow With White Scars”
SYNOPSIS: A man in a bar has an ongoing relationship with a young girl.
COMMENTS: Tension is another thing that Nik does really well. I was nervous throughout this whole story. An underage girl, a man who is spending time with her when he shouldn’t, love that knows no rules. The violence fans out in every direction, and in the end, it’s a brutal story, one that cause you to shift loyalties several times.
QUOTE: “Darla straddled a stool, listening to a man in a white polyester suit tell a joke. He looked like a Messiah Elvis. Her pockets peeked below the frayed edge of her jean shorts, a bikini strap caressing her neck underneath a tank top the color of a fresh bruise. She threw her head back when she laughed, tender breasts rocking, slender throat pale and exposed and I could taste the salt on her neck, smell the hot sweat on her thighs. When the troll turned to order drinks for them, she glanced over to me, licked her teeth and winked. My stomach filled with moths and metal shards.”

“Intersections”
SYNOPSIS: A man prepares to propose to his girl, but an accident ruins everything.
COMMENTS: Of course the title gives you the first clue, “Intersections.” This story moves along at nice clip—we see the seedy underbelly of Baltimore, a guy trying to get out from under a rock, no more working for Mr. Harry. And in one evening things take a dark turn. I thought I knew where this one was going, too, and the tension, that beautiful moment when you get a shock through your system, muttering to yourself, “No, no…it can’t be.” And then you think, he’s going to get away with it, it’s okay, you realize there is a tape, and there is proof now, and everything spins out of control. Nik is very adept at creating these situations, things get bad, and then they get worse, and then there’s no way out.

“That Pale Light in the West”
SYNOPSIS: A confrontation in a bar does not go well.
COMMENTS: In a very short period of time, two pages here, we get the whole story. It doesn’t feel like a set-up from the beginning, but at some point you know it’s going to go wrong. The last line is heavy. It’s nice to know that psychopaths have rules.

“Alex and the Music Box”
SYNOPSIS: A man sneaks into an ex-girlfriend’s apartment to get something turns out bad.
COMMENTS: The tension of not only sneaking back into an ex-girlfriend’s apartment but then her coming home with a guy? Man, that’s tough. Poetic at times this story, like much of Nik’s work, has layers, and we keep getting into it deeper and deeper until there’s no way out. I like that he leaves it open, the ending. We’re left with that anxiety of what to do.
QUOTE: “I lay listening to breath drift from my mouth for minutes or hours. Rub my palms over my cheeks. I blow on her hand, and when she doesn’t move, I slide around it and stand. Naked, sweaty and flushed, she’s sprawled over her bed like a gunshot victim. Red phantom fingers wrap around her neck. I want to lay my hands on them, pretend they’re mine again. No smell of latex and I hope she doesn’t regret this tomorrow. I kneel beside her, penitent.”

“She Sleeps Beneath Clouds of Embers”
SYNOPSIS: Foggy memories and a strange hotel room lead to some very strange moments.
COMMENTS: “This is one of Nik’s more atmospheric pieces, and really, doesn’t a foggy memory, bruises and a dildo always lead to trouble? There is a sadness that permeates this story, the last line echoing desperation and loss. And somehow in the midst of this Baer inspired madness he made me laugh twice.”

“Haymaker”
SYNOPSIS: A fighter runs into a bit of bad luck.
COMMENTS: “This one kind of breaks my heart. I hate it when the good guy gets screwed over by a crooked cop, some palooka trying to work his way out of the gutter with his fists, or some straight blue collar job, but the man keeps pushing him down. The ending just makes me sad.”

“His Footsteps are Made of Soot”
SYNOPSIS: When his mother’s memories and bruised love can’t be ignored any longer, our protagonist opts for a risky surgery.
COMMENTS: “This might be the best story in the collection. It’s the back and forth between the basement surgeries he assists and the broken body and mind (and heart) of his mother that really pulls you in. The final scene, and the final words (or lack thereof) are so powerful, they just echo out into the silence. Classic Korpon.”
EXCERPT #1: “Sometimes things happen in home surgery, and it’s easier to be objective when the body doesn’t have a name, an address, a way
they take their coffee. Everything’s easier when history is malleable.”
EXCERPT #2: “I just nod and lay down, close my eyes. A muted rainbow of dots float across the flesh inside my eyelids. I focus, try to rearrange them into a halftone print of a family portrait with only two people. Inhale. The smell of damp smoke floods my nostrils, and Marcel gave up cigarettes years ago when his wife died of cancer. Exhale. The sound of game-show audiences drowns out scratchy country guitars. Inhale. A fist of cheap cologne, vodka and the burnt baby laxative used to cut dope crushes my nose. Exhale. A whiff of ash, of baby powder, of Mom’s shampoo from when I was younger that always reminded me of cut grass. Inhale. Nitrous oxide and Marcel’s liquid voice telling me to count to ten. Somewhere beyond my ears, past bloody eyelids and clenched fists and bruised legs and pipe-burnt chests, Hank Williams drags his voice over broken glass in the darkness.”

“Glass Bubbles”
SYNOPSIS: Hanging out in a local bar you can only get yourself in trouble.
COMMENTS: “This story touches on those lost moments, things you can’t get back, better days. I love the way he doesn’t tell this story in chronological order, it makes it much more powerful.”

This is a great collection of Nik’s work. Chuck Palahniuk said something like “Teach me something, make me laugh, and then break my heart.” And that’s what Nik does. Whether it’s educating me about Baltimore or basement surgeries, boxing or drug dealing, his stories always resonate with authority. He also has a way of turning a phrase, juxtaposing words in a way that is totally unique, his own language. And he also creates plots that aren’t what you expect, layers and turns that keep you guessing. He’s one of my favorite neo-noir authors going, and if you haven’t read his work before, this is a great place to start.

Also, keep an eye out for a future project we’re doing together entitled Four Corners, a series of four novellas that Nik and I, along with Caleb J. Ross and Axel Taiari have written and are currently shopping. It’s some of his best work to date, I think. You can find more of his work on Amazon, of course. I suggest Stay God as well as By the Nails of the Warpriest.

READ HIS COMMENTS ON MY COLLECTION, HERNIATED ROOTS, HERE.

My story “Gateway” is up at Dirty Noir

My story “Gateway” is up now at Dirty Noir, a new crime, neo-noir, dark fiction, sexy pants webzine. “Gateway” is a bit of hot St. Louis, something I thought of while I was just down there, memories of heading across the Mississippi river to the “East Side” to buy beer in high school (and other things too).

They’re looking for dirty realism + noir of all kinds, under 1000 words. Happy to be up here for the launch issue with Eddy Rathke, McKay Williams, David James Keaton, and Andrez Bergen. Hop on over and give it a peek. If you DARE.