Well, here’s some great news. My story, “From Within” was just named a 2016 Notable Story by storySouth, as part of the Million Writers Award. In great company. This story was originally published in Slave Stories: Scenes from the Slave State (Omnium Gatherum) edited by Chris Kelso, and reprinted at Cease, Cows. Thanks, H.L. Nelson and Kate Jonez for the support. (It was also long-listed for Best Horror of the Year, edited by Ellen Datlow.) Nice way to end the year!
Here’s the official cover for Issue One of Gamut. (The eBook.) What are your thoughts? Artwork by Luke Spooner. Don’t forget, subscriptions are 20% off until the end of December, so if you’ve been waiting to subscribe, now is the time! Makes a great stocking stuffer for writers and readers alike! Spread the word. (This art is for “The Bubblegum Man” by Eric Reitan.)
So, I had quite a few things come out this year, and they are all eligible for award consideration. Cat Rambo was encouraging authors to do this, so here I go! (HWA for sure, as well as SFWA, etc.) The short stories were for pro pay, so those markets are definitely eligible. If you are a member of HWA, SFWA or any other organization that nominates for awards and you would like a PDF of any of this work, let me know, at firstname.lastname@example.org or email@example.com.
NOVEL: Breaker (Random House Alibi)
Description: Living alone in the dusty apartment where he grew up, Ray Nelson is a mystery to his neighbors and an unbeatable foe to the brutal men he fights in the ring for money. But a life defined by sinister secrets doesn’t stop Ray from trying to do the right thing for his dangerously high-flying sister. Or for Natalie, the young girl living next door. As a sadistic murderer’s ominous white van trolls for young victims throughout the Windy City, Ray is determined to protect Natalie from both predators and a bleak future. When she sees a bruised and beaten Ray return from late-night fights, Natalie spots a kindred spirit. Still, she cannot imagine the darkness just beneath, or what’s hidden in the rooms he calls home. Now, as the horrors of his own past creep back to life with a twisted vengeance, Ray may not even be able to save himself.
Blurbs: “Richard Thomas’s Breaker is a modern noir fever dream: brutal, lyrical, evocative. But it also exhibits surprising tenderness—its shattered characters find strength in one another, and beauty in the pattern of the cracks.”—Chris Holm, author of The Killing Kind / “Gritty, raw, powerful, visceral—that’s all you need to know about Richard Thomas’s novel Breaker. It’s a ‘gotta read this’ book.”—Les Edgerton, author of The Genuine, Imitation, Plastic Kidnapping / “One of the most terrifying, harrowing stories you’ll read all year . . . With a solid mix of heartbreak and action, along with some plot-defying acrobatics not seen on the page too often, Breaker delivers the goods on all fronts.”—This Is Horror
SHORT STORY COLLECTION: Tribulations (Cemetery Dance / Crystal Lake)
Description: In the third short story collection by Richard Thomas, Tribulations, the stories cover a wide range of dark fiction—from fantasy, science fiction and horror, to magical realism, neo-noir, and transgressive fiction. The common thread that weaves these tragic tales together is suffering and sorrow, and the ways we emerge from such heartbreak stronger, more appreciative of what we have left—a spark of hope enough to guide us though the valley of death. Fireflies and wolves, ghosts and golems, tentacled beasts and demonic spirits–these psychological thrillers will hypnotize you as they slide the blade between your ribs, up close and personal, whispering in your ear as you gasp and pull them closer. Tribulations includes 25 short stories–including two that were long-listed for Best Horror of the Year. There are also five original full-page illustrations by Luke Spooner.
Reviews: “Tribulations shows that Richard Thomas not only knows his craft, but excels in it. Readers owe Richard Thomas a letter to thank him for sharing his brilliant work, and Richard Thomas owes readers a letter to apologize for giving them more reasons to never turn off the light”—Cultured Vultures. / “At his best Thomas writes like his life depends on it, while his restraint and careful use of language ensure that these stories hit in all the right places. Whether it’s with a dash of stream-of-consciousness here, a bit of prose poem there, or a starkly minimalist passage, these stories speak to the things that haunt the darkest corners of the mind.”—Hellnotes / “Richard Thomas is on the cutting edge of neo-noir fiction and I dare anyone to say different. Tribulations is his best yet: elegantly twisted, superbly creepy, and dripping darkness. This is required reading for anyone into the shadow side of literature.”—Dread Central
ANTHOLOGY / NOVELLA: The Soul Standard (Dzanc Books) / Golden Geese
Description: Across four different districts of a city that has torn itself to shreds, four different interweaving tales (each written by a different author) play out. In “Four Corners,” a morally dubious banker must keep his employer happy at any cost. The next story, “Punhos Sagrados,” concerns a boxer who finds himself torn between honor and the woman he loves. “Golden Geese” follows a hardened criminal with a terrifying condition who must come to terms with the life he’s led. Finally, “Jamais Vu” provides a stunning denouement as a man searches endlessly for his missing daughter, a task which is complicated by a peculiar condition: his inability to recognize faces. Told in rugged, bare-knuckled prose, The Soul Standard is a nonstop thrill-ride down the darkened avenues and through the shadowed alleys of a nightmare town. MY NOVELLA “Golden Geese” is about a man living in the outskirts, trying to forget the dark deeds he has done, as the consequences of his actions close in around him, one final act of redemption his only way to survive.
SHORT FICTION: “Repent” in Gutted: Beautiful Horror Stories (Crystal Lake) / “The Offering on the Hill” in Chiral Mad 3 (Dark Regions Press)
Gutted Description: From Bram Stoker Award-nominated publisher, Crystal Lake Publishing, and the editing duo who brought you the best-selling and critically acclaimed small-town Lovecraftian horror anthology Shadows Over Main Street, comes Gutted: Beautiful Horror Stories–a disturbing journey into the beauty that rests inside the very heart of darkness. Gutted: Beautiful Horror Stories features the most celebrated voices in dark fiction, as well as a number of exciting new talents: Clive Barker, Neil Gaiman, Ramsey Campbell, Paul Tremblay, John F.D. Taff, Lisa Mannetti, Damien Angelica Walters, Josh Malerman, Christopher Coake, Mercedes M. Yardley, Brian Kirk, Stephanie M. Wytovich, Amanda Gowin, Richard Thomas, Maria Alexander and Kevin Lucia. Edited by Doug Murano and D. Alexander Ward. MY STORY “Repent” is about a father, a bad man, and what he is willing to do in order to redeem himself and save his son.
Chiral Mad 3 Description: The third act in the critically-acclaimed series by Written Backwards, is a symmetrically-structured anthology of psychological horror by Bram Stoker Award nominated editor Michael Bailey, whose previous anthologies include The Library of the Dead, Qualia Nous and Pellucid Lunacy. The anthology contains 45 illustrations by Glenn Chadbourne, over 20 stories by the likes of Stephen King, Jack Ketchum, Ramsey Campbell, Gary A. Braunbeck, Mort Castle, Josh Malerman, Scott Edelman, Richard Thomas, Richard Chizmar and Gene O’Neill, and with 20 intertwined poems by the likes of Elizabeth Massie, Marge Simon, Bruce Boston, Erik T. Johnson, Stephanie M. Wytovich, and also includes an introduction by the extraordinary Chuck Palahniuk. MY STORY “The Offering on the Hill” is a bit of a Dark Tower homage, about a man wandering in a post-apocalyptic setting trying to find his wife and daughter.
SOLD OUT FOR 2017. WE ARE NOW SIGNING UP FOR JANUARY 2018.
Hello everyone! I’m going to teach a new creative writing class online called Contemporary Dark Fiction. It’ll be SIXTEEN WEEKS long (I know!) essentially the same length as your average semester.
This is the class I’ve always wanted to teach, taking the best aspects of the classes that I’VE TAKEN online, as well as my MFA, and focusing on books that I love (and think are important) as well as stories I’ve curated. Class sizes are going to be small (a maximum of eight students). Here is a little more information, but if you’d like to sign up, or ask for a syllabus, please drop me a note at firstname.lastname@example.org.
Each week, you will read one column that I’ve written at LitReactor.com, and we will talk about how to apply that to your own writing. You will also have at least one short story to read each week, which will relate to that week’s column. You will then have a writing assignment for that week that utilizes what you’ve learned from the column and story—anywhere from 200-1,000 words. In addition to that, you will have a section of a novel to read. You will read four books in four months, so that means a book a month. There will also be a weekly Skype call (1.5 hours), where we will talk about that week’s short story, the column and subject, as well as the novel section that you have read. We will have additional ongoing questions and conversations at Facebook (in a private, secret group). At the end of the month, you will turn in an original short story based on whatever inspired you over the course of our studies, up to 4,000 words. I will read, edit, and critique each story, and return it to you with advice on what to do next (keep editing, drop it, polish it up, send it out). At the end of the semester you will get one hour of private Skype time with me to talk about anything you like—your work in class, other projects, the industry in general, markets, query letters, how to get an agent, what to do next, etc.
The New Black (Dark House Press) edited by Richard Thomas (signed, included)
Exigencies (Dark House Press) edited by Richard Thomas (signed, included)
After the People Lights Have Gone Off by Stephen Graham Jones (PDF, included)
The Lineup: 20 Provocative Women Writers (PDF, included)
Perdido Street Station by China Mieville $15.12 710 pages 978-0345443021
Annihilation by Jeff VanderMeer $8.12 208 pages 978-0374104092
All the Beautiful Sinners by Stephen Graham Jones $23.95 352 pages 978-1590710081
Bird Box by Josh Malerman $22.15 272 pages 978-0062259653
WHO IS THIS CLASS FOR:
- Advanced students who are looking to take their writing to the next level, as well as beginners who have no fear, and an open mind.
- Authors who write genre fiction and are looking to make their work more literary.
- Literary authors who are looking to add some genre, or supernatural aspects, to their realism.
- Anyone looking to expand their understanding of contemporary dark fiction.
- Authors that are looking to publish in the top magazines, websites, and anthologies.
- Writers who have the time and discipline to read and write every week for the next sixteen weeks.
- Authors who enjoy my writing, and/or the work I’ve published at Dark House Press, and/or the four anthologies I’ve edited.
(There will be some minor overlap with previous classes I’ve taught, but we will get into the novels and anthologies in much greater detail.)
$1,200, via Paypal or check. $100 non-refundable deposit is required to hold your spot. If you pay in full at the time of your deposit, take 10% off ($1,080). If you are a returning student (from any class, anywhere) take an additional 10% off ($960). Otherwise, it’s $100 upon registration, and half of the remaining balance due before class starts, and the remaining half due prior to the start of the second month. Paperback copies of The New Black and Exigencies are included with your fees, as well as PDFs of After the People Lights Have Gone Off and The Lineup: 20 Provocative Women Writers) for short story analysis. You are required to purchase the other four novels (or feel free to check them out at your local library) for extended discussion.
January 1 – April 30, 2017 Session One FULL
May 1 – August 31, 2017 Session Two FULL
September 1 – December 31, 2017 Session Three FULL
January 1 – April 30, 2018 OPEN
Drop me a note at email@example.com to register, or if you have any questions. Thanks!