So when I went to Transylvania this summer to teach horror writing in the shadow of Bram Stoker’s castle, I knew I’d write a few essays about my experiences. This article touches on setting, and how it seeps into my work—how it played a big role in my second novel Disintegration (Alibi) and how it might work its way into future stories and novels after some times spend in Romania. ENJOY!
My latest Storyville column is all about writing dynamic settings. I’m a big believer in grounding your work in reality, whether you write literary stories that focus on an internal monologue, or fantastic stories set in distant galaxies. I hate stories with floating heads that don’t tell me where I am. So, here are some tips on how to deliver the goods by revealing character, using all five senses, and painting with broad brush stokes so that you allow your audience to picture the setting while bringing their own history and experiences onto the stage. Hope it helps!