Here’s the official cover for Issue One of Gamut. (The eBook.) What are your thoughts? Artwork by Luke Spooner. Don’t forget, subscriptions are 20% off until the end of December, so if you’ve been waiting to subscribe, now is the time! Makes a great stocking stuffer for writers and readers alike! Spread the word. (This art is for “The Bubblegum Man” by Eric Reitan.)
Day Eleven: Over $21,000! And, Medallion Donates Books!
Medallion Press has generously donated TWENTY sets of books, including Burnt Tongues (transgressive anthology), which I edited with Chuck Palahniuk and Dennis Widmyer; Knuckleduster (military thriller) by Andrew Post; Suckerpunch (MMA thriller) by Jeremy Brown, and The Devils That Have Come to Stay (an acid Western) by Pamela DiFranceso. Pick up a set plus subscription for only $60 (plus shipping) a retail value of $120. Pick up your set today!
Winner Winner, Chicken Dinner!
Backer #330, Scott Young, was the winner of the signed X’s for Eyes by Laird Barron, plus Tuckerization!
We had twelve backers pledge yesterday in order to get personal limericks sent out in time for Valentine’s Day! Our resident poet, Heather Foster, will pen and mail out this juicy nuggets of love.
Thank you for your support, and keep spreading the word! We’re at 40% funded after ten days which is a good start!
Day Ten Update: $20,000!
In other news—we gave away prizes yesterday! WINNERS from last night: Lifetime membership at the $20,000 mark—EFP (in Spain!), #258. Craig Clevenger hardcover—Darryl Foster, #299! Paperback—Clark, #309.
TODAY (2/10/16): We are giving away ONE signed Laird Barron X’S FOR EYES + Tuckerization today. New backers and upgrades are eligible for this drawing. (Tuckerization is the act of using a person’s name in an original story as an in-joke. The term is derived from Wilson Tucker, a pioneering American science fiction writer, fan and fanzine editor, who made a practice of using his friends’ names for minor characters in his stories.)
AND, anybody that pledges today (new) will get a free dirty limerick sent to the person of their choice (just in time for Valentine’s Day) by our staff poet, Heather Foster!
(Fine print: To enter Laird Barron drawing, you must pledge or upgrade $30 or more today, 2/10/16) by midnight CST. Prizes contingent upon successful funding.)
Thanks for your continued support! HEAD OVER NOW!
Women in Horror Month is great, but how about we include women from the beginning, and all year long? It was always an important aspect of Gamut, from day one. 62% of our authors are women; 53% of our poets are women; and 50% of our staff are women:
Damien Angelica Walters, Letitia Trent, Mercedes M. Yardley, Alyssa Wong, Lindsay Hunter, Amanda Gowin, Laura Benedict, Rebecca Jones-Howe, Sarah Read, Paula Bomer, Kelly Luce, Livia Llewelyn, Carmen Machado, Nina McConigley, Antonia Crane, Kristi DeMeester, Tara Ison, Cassandra Khaw, Nikki Guerlain, Lucy A. Snyder, JS Breukelaar, Helen Marshall, Amelia Gray, H. L. Nelson, Jacklyn Dre Marceau, Nickole Brown, Cate Marvin, Carrie Jerrell, Erica Dawson, Laura Van Prooyen, Simone Muench, Heather Foster, Whittney Jones, and Jeannine Hall Gailey.
We’re over $16,000 but still need your help, we have a long way to go! Think of that ONE friend of yours that you really think might enjoy what we’re doing—and invite them in! Are you in a writing group or workshop? Let them know—we’ll pay ten cents a word for original fiction! Have a big following on Facebook, Twitter, or your blog? Post up a message and a link!
WE’RE OVER $16,000! And there are a lot of new rewards:
We added postcard sets, so be sure to check those out, with work by Luke Spooner, Bob Crum, Daniele Serra, George Cotronis, and Jennifer Moore.
Michael Bailey added a ton of excellent Written Backwards books, in some really cool packages as well.
We added a video package, consisting of five thirty minute talks from myself, Mercedes M. Yardley, Heather Foster, Dino Parenti, and Casey Frechette.
And, my daughter want to help, so she helped me shoot a movie last night.
You in yet?
“Now that short fiction has become as standardized as the SATs and Common Core—all in order to ‘judge’ and ‘rank’ writers—I’m excited to see what Richard Thomas brings to the game. Gamut will be the new magazine not written for the little old lady in Dubuque.”
—Chuck Palahniuk, author of Fight Club
“Gamut will be cool, and it will be out there, right on the edges of fiction. I can’t wait.”
—Irvine Welsh, author of Trainspotting
“As publishing venues grow ever more polarized—niche market over here,
stadium rock over there—the need for passionate, thoughtful, unafraid publishing
space is crucial. Enter Gamut.”
—Marcus Sakey, author of Brilliance
“I beg to differ with Mr. Palahniuk: There’s a fabulous indie bookstore in Dubuque, and little old ladies have been known to write some astonishing speculative fiction. Some of it might even end up in this magazine, which promises to bring together the fresh and the dark and the extraordinary. Look for great, weird things from [Gamut].”
—Rebecca Makkai, author of The Hundred-Year House
“A killer lineup of creators.”
—Rose O’Keefe, Publisher, Eraserhead Press
“The heavyweight talent behind Gamut is a promise of great things to come.”
—K. Allen Wood, Publisher, Shock Totem Publications
“It doesn’t matter if a writer has a big name, a pen name, or no name, if they’re writing excellent and edgy fiction, Richard Thomas has probably read their work. But Richard’s a busy guy—seriously, read his bio—and doesn’t have time to meet for coffee or martinis or bowling anytime someone wants to talk about what they should be reading next. Thankfully, now there is Gamut, which is sure to become an index of some of the best fiction writers working today.”
—Diane Goettel, Executive Editor, Black Lawrence Press
GAMUT (Updated 1/29/2016)
So what’s all of this talk about Gamut? For a long time I’ve wanted to start a magazine. I crunched the numbers for years, but in the end couldn’t make it work. Why? PRINT COSTS. So, over the past year I’ve been looking at it again, and decided the way to go would be to Kickstart it, and have it exist online. I hope to do the Kickstarter in February of 2016, and launch the website on 1/1/2017, if we are successful. For the past several months I’ve been getting things lined up—authors, website, costs, content, the Kickstarter page, etc. We will offer subscriptions via the special Kickstarter for $25-30, with the regular annual price being $50-60. That’s only $5 a month, at the most expensive price point. (Gamut just means a wide range, and it’s usually applied to emotions, but here, it refers to fiction, and more specifically, dark fiction.)
It will include mostly fiction (some original, some reprints) but also columns, non-fiction, art, and maybe even a serial memoir or novella. I have a word count per month in mind, based on my budget, and I’m looking to release new content several times a week. I will start off by publishing work via solicitations and will then open it up to submissions. We will pay 10 cents per word for original fiction, and 3 cents per word for reprints.
Well, if you’ve read any of the anthologies I’ve edited (The New Black, Burnt Tongues, The Lineup: 20 Provocative Women Writers, or Exigencies) then you know what my aesthetic is, for sure. Also, you can see the work (and authors) I’ve published at Dark House Press. And of course, my own writing (and YES, I will be publishing some of my own work at Gamut as well, new and reprint). So I’m open to fantasy, science fiction, horror, neo-noir, crime, magical realism, transgressive, Southern gothic, and literary—anything done with innovation, heart and emotion. Everything I enjoy reading and writing typically leans toward the dark side, but I have been known to embrace lighter work, and humor, now and then. It just has to MOVE me. And I like to be surprised.
To date, here are the people that have given me a verbal commitment to publish original and/or reprint fiction at Gamut: Stephen Graham Jones, Laird Barron, Brian Evenson, Usman T. Malik, Matt Bell, Damien Angelica Walters, Letitia Trent, Mercedes M. Yardley, Alyssa Wong, Benjamin Percy, Lindsay Hunter, Axel Taiari, Amanda Gowin, Laura Benedict, Nathan Ballingrud, Dino Parenti, Ted E. Grau, Rebecca Jones-Howe, Sarah Read, Paula Bomer, Kelly Luce, Livia Llewellyn, Josh Malerman, Carmen Machado, Peter Tieryas, Kevin Catalano, Paul Tremblay, John Langan, Nina McConigley, Nik Korpon, Craig Wallwork, Steve Himmer, Antonia Crane, Steve Rasnic Tem, Kristi DeMeester, Tara Ison, David James Keaton, Cassandra Khaw, Nikki Guerlain, Lucy A. Snyder, JS Breukelaar, Helen Marshall, Amelia Gray, H. L. Nelson, Craig Davidson, Jacklyn Dre Marceau, and Lincoln Michel. Poets will include Jeffrey Skinner, Nickole Brown, Cate Marvin, Paul Guest, Blas Falconer, Carrie Jerrell, Gary Jackson, Erica Dawson, Laura Van Prooyen, Simone Muench, Charles Jensen, Ace Boggess, and Jeannine Hall Gailey.
I’ve asked the following artists to be a part of Gamut: Luke Spooner, George C. Cotronis, Daniele Serra, and Bob Crum, as well as photographer Jennifer Moore.
As of right now, I’m excited to have non-fiction, reviews and commentary from Keith Rawson, Max Booth, and RK Arceneaux.
Even though poetry is not my strength, I want there to be a place for it at Gamut, so I’m putting Heather Foster (one of my favorite poets) in charge. She’ll be assisted by Whittney Jones.
Speaking of which, Dino Parenti, Mercedes M. Yardley, and Casey Frechette are going to be my fiction editors, and first readers. They all understand my aesthetic and are excellent writers as well. They’re really going to help shape the voice and look of Gamut.
I’m sure this doesn’t answer all of your questions, some things are still being ironed out, but I’m very excited to see if we can make this work. I love Tor, as well as Nightmare, Shimmer, Apex, Clarkesworld, Black Static, Shock Totem, Cemetery Dance and so many other publications. I hope that Gamut can become a part of the landscape and continue to provide opportunities for authors to share their work, get paid a decent rate, and maybe even get discovered. There is no shortage of talent out there, I can tell you that much. Thanks for reading, and wish us luck! I hope you’ll be a part of this.
Edited by Richard Thomas, Foreword by Chuck Wendig, cover art by Daniele Serra, and interior illustrations by Luke Spooner. Includes “Wilderness” by Letitia Trent, “Monster Season” by Joshua Blair,“Cat Calls” by Rebecca Jones-Howe, “Ceremony of the White Dog” by Kevin Catalano, “The Armadillo” by Heather Foster, “The Last Manuscript” by Usman T. Malik, “Single Lens Reflection” by Jason Metz, “The Mother” by Nathan Beauchamp, “Everything in Its Place” by Adam Peterson, “When We Taste of Death” by Damien Angelica Walters, “Figure Eight” by Brendan Detzner, “My Mother’s Condition” by Faith Gardner, “Fragile Magic” by Alex Kane, “The Eye Liars” by Sarah Read, “Searching for Gloria” by W. P. Johnson, “And All Night Long We Have Not Stirred” by Barbara Duffey, “A Dull Boy” by David James Keaton, “Brujeria for Beginners” by Marytza Rubio, “Heirloom” by Kenneth Cain, “The Owl and the Cigarette” by Amanda Gowin, “Desert Ghosts” by Mark Jaskowski and “Blood Price” by Axel Taiari.
Exigencies has been a real pleasure to put together. When we opened the door for submissions, I didn’t know what to expect, but I can honestly say that 800 stories later, these are the best neo-noir submissions that I got, and each of these authors is amazing, unique, and going to blow up soon (if they haven’t already, like Usman winning the Bram Stoker Award for his short story recently, and other authors getting book deals, like Letitia at ChiZine, etc.). These stories cover a wide range of neo-noir—leaning toward the horrific, the fantastic, and everything in-between. Pick up your copy today. Here’s a snippet from Chuck Wendig’s brilliant foreword:
“Certainly the world we live in is a dank, fucked-up circus. Watching the news for 45 seconds will crush the spirit of even the most stalwart viewer in ways the stories you’ll find in this anthology never would or could. (Because at least the stories in this anthology possess beauty, too. They are told with great care, the narrative given shape and grace, the darkness given form and face and motive. The news is just noise; the stories here are all signal.) Maybe reading these stories helps us give context to the news we see during the 24-hour cycle. Not just a litany of horrific events, but characters and stories—a sense not only of what, but of who and why.”
“From the shadows that dwell in some of the most creative, and gifted minds around, emerges a collection of short stories that will skulk across the footplate of literature for many years to come. Exigencies is the cloak thrown over the world, to show us that in darkness we can still find beauty, and will forever serve as a keepsake to great writing.”
—CRAIG WALLWORK, author of The Sound of Loneliness
“Ah, do you feel it? That’s the spectrum of neo-noir passing over you. It’s wide, wider than you are It’s tall, taller than you are. And it’s got colors we haven’t exactly named yet. Its source is a book, the book you hold in your hands. Exigencies has it all. Some of it’s cold, some of it’s funny. Some of it’s strange, a lot of it’s possible. We’ve all heard of the type of man who ‘can get you things.’ Richard Thomas can get you things. And his specialty is short, scary stories. Just like the addict in the alley searches for voices he can trust, I listen when Richard Thomas says it’s a good story. ‘Here,’ he says, ‘you’re going to like this one…’ And I listen.”
—JOSH MALERMAN, author of the Bram Stoker-nominated Bird Box
“These pages house some of the most exciting writers you’ve never heard of—yet. They make the mundane terrifying, the poignant macabre, the violent touching. The only thing you won’t find is the expected, because these stories will move the ground beneath your feet. Brace yourself.”
—NIK KORPON, author of Stay God
I wanted to start a list of the beautiful book covers that I’ve either edited or published or both. I hope you enjoy the art and if you want more information, I’ve included links to Amazon, for those books that are already on the website. They are in reverse chronological order.
UPDATED: July, 2016
Exigencies, edited by Richard Thomas (anthology)
Publisher: Dark House Press
Cover Art: Daniele Serra
Design/Layout: Alban Fischer
Release Date: June 9, 2015
Stories by David James Keaton, Letitia Trent, Kevin Catalano, Usman Malik, Faith Gardner, Axel Taiari, Damien Angelica Walters, Kenneth Cain, Amanda Gowin, Jason Metz, Joshua Blair, Rebecca-Jones Howe, Brendan Detzner, Sarah Read, Bill Johnson, Barbara Duffey, Adam Peterson, Marytza Rubio, Nathan Beauchamp, Heather Foster, Alex Kane, and Mark Jaskowski.
The Lineup: 20 Provocative Women Writers, edited by Richard Thomas (anthology)
Publisher: Black Lawrence Press
Cover Photo: Jennifer Moore
Foreword: Alissa Nutting
Release Date: November 1, 2015
Stories by Laura Benedict, Paula Bomer, Karen Brown, Shannon Cain, Kim Chinquee, Monica Drake, Kathy Fish, Amina Gautier, Tina May Hall, Nancy Hightower, Jessica Hollander, Holly Goddard Jones, Stacey Levine, Kelly Luce, Nina McConigley, Janet Mitchell, Ethel Rohan, Karin Tidbeck, Damien Angelica Walters, and Claire Vaye Watkins.
After the People Lights Have Gone Off by Stephen Graham Jones (stories)
Publisher: Dark House Press
Introduction: Joe R. Lansdale
Cover Art: George C. Cotronis
Interior Illustrations: Luke Spooner
Design/Layout: Alban Fischer
Release Date: September 30, 2014
WINNER: Best Short Story Collection of the Year, This is Horror
NOMINATED: Best Short Story Collection of the Year, Bram Stoker Awards
NOMINATED: Best Short Story Collection of the Year, Shirley Jackson Awards
Burnt Tongues, edited by Chuck Palahniuk, Richard Thomas, and Dennis Widmyer (anthology)
US Publisher: Medallion Press / UK Publisher: Titan UK
Introduction: Chuck Palahniuk
Cover Design: US – Jay Shaw
Release Date: US August 12, 2014 / UK September 5, 2014
Stories by Neil Krolicki, Chris Lewis Carter, Gayle Towell, Tony Liebhard, Michael De Vito, Jr., Tyler Jones, Phil Jourdan, Richard Lemmer, Amanda Gowin, Matt Egan, Fred Venturini, Brandon Tietz, Adam Skorupskas, Bryan Howie, Brien Piechos, Jason M. Fylan, Terence James Eeles, Keith Buie, Gus Moreno, and Daniel W. Broallt.
WINNER: Best Anthology of the Year, This is Horror
GOD MEDAL WINNER: Best Anthology of the Year, INDIEFAB
NOMINATED: Best Anthology of the Year, Bram Stoker Awards
The New Black, edited by Richard Thomas (anthology)
Foreword: Laird Barron
Publisher: Dark House Press
Design/Layout: Alban Fischer
Interior Illustrations: Luke Spooner
Date: May 13, 2014
Stories by: Brian Evenson, Stephen Graham Jones, Craig Clevenger, Paul Tremblay, Lindsay Hunter, Roxane Gay, Kyle Minor, Benjamin Percy, Roy Kesey, Craig Davidson, Matt Bell, Richard Lange, Micaela Morrissette, Joe Meno, Vanessa Veselka, Nik Korpon, Antonia Crane, Rebecca Jones-Howe, Tara Laskowski, and Craig Wallwork.
NOMINATED: Best Anthology of the Year, This is Horror (2nd Place)
This is a Table of Contents for all of my current, LIVE fiction that is available online for FREE. Below are each of the stories, a brief synopsis, and a link to the site that hosts them. They are in reverse chronological order.
What do all of these stories have in common? I tend to write about the darker aspects of life, and am fascinated by what happens when things fall apart, how we handle life when it throws us a curve ball, the dysfunction in everyday life, how we rebel against the rules of society, and what goes on in the middle of the night.
Last Updated: August 13, 2019
TABLE OF CONTENTS:
“How Not to Come Undone”
THE WRITING DISORDER
SYNOPSIS: A pair of twins balance each other out, but that’s not always a good thing. In this dark magical realism we see how far family will go to save each other.
HOW NOT TO COME UNDONE
SYNOPSIS: When a violent car accident takes his family, one man starts having visions.
SYNOPSIS: In a slave state, how do you protect your son? What if he doesn’t need protecting? Long-listed for Best Horror of the Year.
“Little Red Wagon”
THE WRITING DISORDER
SYNOPSIS: What would you do to keep the human race alive? And what does being human really mean?
LITTLE RED WAGON
“Moving Heavy Objects”
SYNOPSIS: A son tries to forgive his father for being so distant.
MOVING HEAVY OBJECTS
“Asking for Forgiveness”
SYNOPSIS: When the land yields nothing but abomination, how does family change, how do we survive? Long-listed for Best Horror of the Year.
ASKING FOR FORGIVENESS
SYNOPSIS: What happens when evil finds a young boy, an ancient creature, the signs all ignored?
“Tinkering With the Moon”
SYNOPSIS: When a little boy misses his father, he’d do anything to reunite with him.
TINKERING WITH THE MOON
“Bury Me Deep”
THE BIG ADIOS
SYNOPSIS: Out in the wild west, there lurk shadows and dark deeds, all done under the blazing sun for God and all to witness.
BURY ME DEEP
SYNOPSIS: The things we do for love are often very destructive.
“Flowers for Jessica”
SYNOPSIS: How far would you go to bring your loved one back from the dead?
FLOWERS FOR JESSICA
“The Fix-It Man”
BLACK HEART MAGAZINE
SYNOPSIS: When a man falls apart, disconnects from his wife and son, what gesture can he make as he disintegrates?
THE FIX-IT MAN
SYNOPSIS: Charlotte needs to escape sometimes.
[Sixth place winner of the Zouch Lit Bits Fiction contest]
“Jimmy Five Ways”
SYNOPSIS: A wife, a son, a mistress, a partner and a man named Jimmy—five ways.
JIMMY FIVE WAYS
[One of the five winners of the Punchnel’s Hard-Boiled Down Noir Fiction contest]
“Twenty Reasons to Stay and One to Leave”
SYNOPSIS: When something tragic happens, do you stay or do you leave? Sometimes you stay for a long time, only to realize that leaving would be less cruel. Nominated for a Pushcart Prize.
TWENTY REASONS TO LEAVE AND ONE TO STAY
SYNOPSIS: In real life, there are paths to take, sometimes you have a choice, some times you do not. In this adult “choose-your-own” ending adventure it’s up to you whether or not to be parnoid or to trust, to be innocent, or just a fool.
(A number of other stores are no longer available as the websites and publications have since gone under. I have removed them from this list as they have disappeared. Gone are: Opium Magazine, Colored Chalk, Cause & Effect, Nefarious Muse, ChiZine’s Chiaroscuro, Cherry Bleeds, Troubadour 21, Carbon-Based Lifeform Blues, Leodegraunce, Metazen, Emprise Review, Conjectural Figments, Beat the Dust, Thickjam, Circa, The Dying Goose, Parable Press, Revolt Daily, Penumbra, Word Riot, etc. RIP. )