Gamut Magazine: What’s This Website All About?

Gamut Idea-001(Art by Luke Spooner)

“Now that short fiction has become as standardized as the SATs and Common Core—all in order to ‘judge’ and ‘rank’ writers—I’m excited to see what Richard Thomas brings to the game. Gamut will be the new magazine not written for the little old lady in Dubuque.”
—Chuck Palahniuk, author of Fight Club

Gamut will be cool, and it will be out there, right on the edges of fiction. I can’t wait.”
—Irvine Welsh, author of Trainspotting

“As publishing venues grow ever more polarized—niche market over here,
stadium rock over there—the need for passionate, thoughtful, unafraid publishing
space is crucial. Enter Gamut.”
—Marcus Sakey, author of Brilliance

“I beg to differ with Mr. Palahniuk: There’s a fabulous indie bookstore in Dubuque, and little old ladies have been known to write some astonishing speculative fiction. Some of it might even end up in this magazine, which promises to bring together the fresh and the dark and the extraordinary. Look for great, weird things from [Gamut].”
—Rebecca Makkai, author of The Hundred-Year House

“A killer lineup of creators.”
—Rose O’Keefe, Publisher, Eraserhead Press

“The heavyweight talent behind Gamut is a promise of great things to come.”
—K. Allen Wood, Publisher, Shock Totem Publications

“It doesn’t matter if a writer has a big name, a pen name, or no name, if they’re writing excellent and edgy fiction, Richard Thomas has probably read their work. But Richard’s a busy guy—seriously, read his bio—and doesn’t have time to meet for coffee or martinis or bowling anytime someone wants to talk about what they should be reading next. Thankfully, now there is Gamut, which is sure to become an index of some of the best fiction writers working today.”
—Diane Goettel, Executive Editor, Black Lawrence Press

GAMUT (Updated 1/29/2016)

So what’s all of this talk about Gamut? For a long time I’ve wanted to start a magazine. I crunched the numbers for years, but in the end couldn’t make it work. Why? PRINT COSTS. So, over the past year I’ve been looking at it again, and decided the way to go would be to Kickstart it, and have it exist online. I hope to do the Kickstarter in February of 2016, and launch the website on 1/1/2017, if we are successful. For the past several months I’ve been getting things lined up—authors, website, costs, content, the Kickstarter page, etc. We will offer subscriptions via the special Kickstarter for $25-30, with the regular annual price being $50-60. That’s only $5 a month, at the most expensive price point. (Gamut just means a wide range, and it’s usually applied to emotions, but here, it refers to fiction, and more specifically, dark fiction.)

CONTENT

It will include mostly fiction (some original, some reprints) but also columns, non-fiction, art, and maybe even a serial memoir or novella. I have a word count per month in mind, based on my budget, and I’m looking to release new content several times a week. I will start off by publishing work via solicitations and will then open it up to submissions. We will pay 10 cents per word for original fiction, and 3 cents per word for reprints.

GENRES

Well, if you’ve read any of the anthologies I’ve edited (The New Black, Burnt Tongues, The Lineup: 20 Provocative Women Writers, or Exigencies) then you know what my aesthetic is, for sure. Also, you can see the work (and authors) I’ve published at Dark House Press. And of course, my own writing (and YES, I will be publishing some of my own work at Gamut as well, new and reprint). So I’m open to fantasy, science fiction, horror, neo-noir, crime, magical realism, transgressive, Southern gothic, and literary—anything done with innovation, heart and emotion. Everything I enjoy reading and writing typically leans toward the dark side, but I have been known to embrace lighter work, and humor, now and then. It just has to MOVE me. And I like to be surprised.

AUTHORS

To date, here are the people that have given me a verbal commitment to publish original and/or reprint fiction at Gamut: Stephen Graham Jones, Laird Barron, Brian Evenson, Usman T. Malik, Matt Bell, Damien Angelica Walters, Letitia Trent, Mercedes M. Yardley, Alyssa Wong, Benjamin Percy, Lindsay Hunter, Axel Taiari, Amanda Gowin, Laura Benedict, Nathan Ballingrud, Dino Parenti, Ted E. Grau, Rebecca Jones-Howe, Sarah Read, Paula Bomer, Kelly Luce, Livia Llewellyn, Josh Malerman, Carmen Machado, Peter Tieryas, Kevin Catalano, Paul Tremblay, John Langan, Nina McConigley, Nik Korpon, Craig Wallwork, Steve Himmer, Antonia Crane, Steve Rasnic Tem, Kristi DeMeester, Tara Ison, David James Keaton, Cassandra Khaw, Nikki Guerlain, Lucy A. Snyder, JS Breukelaar, Helen Marshall, Amelia Gray, H. L. Nelson, Craig Davidson, Jacklyn Dre Marceau, and Lincoln Michel. Poets will include Jeffrey Skinner, Nickole Brown, Cate Marvin, Paul Guest, Blas Falconer, Carrie Jerrell, Gary Jackson, Erica Dawson, Laura Van Prooyen, Simone Muench, Charles Jensen, Ace Boggess, and Jeannine Hall Gailey.

ART

I’ve asked the following artists to be a part of Gamut: Luke Spooner, George C. Cotronis, Daniele Serra, and Bob Crum, as well as photographer Jennifer Moore.

COLUMNISTS

As of right now, I’m excited to have non-fiction, reviews and commentary from Keith Rawson, Max Booth, and RK Arceneaux.

POETRY

Even though poetry is not my strength, I want there to be a place for it at Gamut, so I’m putting Heather Foster (one of my favorite poets) in charge. She’ll be assisted by Whittney Jones.

STAFF

Speaking of which, Dino Parenti, Mercedes M. Yardley, and Casey Frechette are going to be my fiction editors, and first readers. They all understand my aesthetic and are excellent writers as well. They’re really going to help shape the voice and look of Gamut.

IN CONCLUSION

I’m sure this doesn’t answer all of your questions, some things are still being ironed out, but I’m very excited to see if we can make this work. I love Tor, as well as Nightmare, Shimmer, Apex, Clarkesworld, Black Static, Shock Totem, Cemetery Dance and so many other publications. I hope that Gamut can become a part of the landscape and continue to provide opportunities for authors to share their work, get paid a decent rate, and maybe even get discovered. There is no shortage of talent out there, I can tell you that much. Thanks for reading, and wish us luck! I hope you’ll be a part of this.

Disintegration Makes TWO Best Fiction of 2015 Lists

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Well, I’m stoked to announce that Disintegration (Random House Alibi) has made two Best of the Year lists. The first is at Entropy Magazine, where it was selected as one of the Best Fiction Books of 2015. The second, is at Cultured Vultures, where it made their Top Ten Books of 2015 list. They added this, as well:

“Disintegration is a novel I’ve been looking forward to for a long time. It holds back no punches and dives into a gritty world that we have come to expect from Thomas. Not only is this a stand out effort, but a promising sign that despite being one of the most hands on people in the lit community, he’s not just all talk. Disintegration is probably one of the darkest things on this list, but by no means should that make you run away—just dive right in.”

I’m honored to make both lists, and am in some excellent company. Thank you to Peter Tieryas at Entropy and Jay Slayton-Joslin at Cultured Vultures for the kind words and support.

Back from UC-Riverside. What a blast.

So I just got back from being a visiting author at UC-Riverside, which is held at a fantastic resort in Palm Springs.

Tod Goldberg runs this program, and he does a great job with this low-res MFA—supporting his teachers, understanding his students, and being contemporary and current with his approach to fiction. He also made me laugh a lot, the guy is hilarious—I can’t remember having so much fun at an MFA program before. His program is very open to genre fiction, as well as literary fiction, and it was refreshing in so many ways. My lecture was about dark fiction, and how I feel we’re in a bit of a golden age for tragic storytelling. I was very happy to see a lot of nodding heads at my talk, the students well-read, getting all of my references, eager to read more, and apply their own voice to various genres.

I also had a great time hanging with my old friend Stephen Graham Jones. If you aren’t reading him, you are really missing out of one of the most interesting, innovative and powerful voices in fiction today. I’ve known Stephen for about nine years. I’ve taken classes he has taught, he blurbed my first book, I published a story of his in The New Black, as well as his latest collection, After the People Lights Have Gone Off (Dark House Press) which was nominated for both a Bram Stoker and Shirley Jackson Award, and he has written the introduction to my next short story collection, Tribulations, out in 2016. It’s funny to see how much we have in common, from our youth, to our influences, to our processes. Also, I figure if I just sit next to him often enough, I should evolve through osmosis alone.

I also got to see a lot of old friends such as Jason Metz (published a story of his in Exigencies), Xach Fromson, Gina Frangello, and Rob Roberge, which was great, and meet other authors I really enjoy, such as David Ulin and Tara Ison.

If you are looking for a contemporary low-res MFA program that is open-minded, innovative, and a lot of fun, apply—this is a unique place, that is doing amazing work. I hope to return soon.