Monthly Archives: April 2013
Dark House Press imprint launched with Richard Thomas as Editor-in-Chief.
Posted on April 28, 2013 Leave a Comment
I’m thrilled to announce that I am the new Editor-in-Chief at Dark House Press, an imprint of Curbside Splendor. I’ll be working closely with Victor David Giron, Ben Tanzer, and Jacob S. Knabb to publish neo-noir, speculative, literary fiction. Here’s what they had to say today: We’re happy to announce that award winning author Richard […]
Staring Into the Abyss (Kraken Press) is NOW OUT!
Posted on April 23, 2013 Leave a Comment
I’m excited to announce that my second short story collection, Staring Into the Abyss (Kraken Press) is now OUT! It’s a collection of 20 neo-noir stories that lean towards horror, and some of my best work to date, I think. It has some of my favorite stories: “Stillness” which was in Shivers VI (Cemetery Dance) […]
Burnt Tongues (Medallion Press) Table of Contents Released
Posted on April 20, 2013 3 Comments
We can finally announce the full table of contents for Burnt Tongues (Medallion Press) a collection of transgressive short stories edited by Chuck Palahniuk, Dennis Widmyer and myself. Out in 2014. Introduction by Chuck Palahniuk Live This Down by Neil Krolicki Charlie by Chris Lewis Carter Paper by Gayle Towell Mating Calls by Tony Liebhard […]
Medallion Press buys Burnt Tongues, edited by Chuck Palahniuk, Richard Thomas, and Dennis Widmyer
Posted on April 5, 2013 Leave a Comment
Burnt Tongues, a collection of transgressive short stories, has been years in the making. Back when I was just a reader, plowing through 100+ stories a month for over a year, I wondered if it would ever happen. I have to give thanks to the hard work of Chuck Palahniuk, Dennis Widmyer, and so many […]
Midwestern Gothic #9 is out, with my story “Garage Sales”
Posted on April 1, 2013 Leave a Comment
Midwestern Gothic #9 is NOW OUT, and it includes my story “Garage Sales.” I wrote this story as part of my thesis at Murray State University. At one point, I took a paragraph from the middle of the story, and pulled it to the front, and that’s where this story came from. The FIRST version, […]
- Richard Thomas - 